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Showing posts with label William Powell. Show all posts
Showing posts with label William Powell. Show all posts

Friday, March 9, 2012

Gone Too Soon || Jean Harlow (1911 - 1937)

When I heard about Comet Over Hollywood's "Gone Too Soon" blogathon earlier this year, I couldn't wait to participate! With the criteria being a star who died before/or at fifty, I knew exactly who I was going to write about: Natalie Wood, of course. But when Jessica opened the door for entries, I was a little too late and discovered that Natalie had already been taken, as well as my second choice, the ever wonderful Carole Lombard.

Still wanting to participate, I decided I'd take a stab at Jean Harlow, who I barely knew anything about. Now that I think about it, perhaps it's good thing I chose someone that I didn't know much about, because I got to learn something and write about someone new. Right? ;)



"SHE DID NOT WANT TO BE FAMOUS. SHE WANTED TO BE HAPPY."

- Clark Gable 

***

Like I said before, I honestly knew nothing about Jean Harlow before writing this post, save that she'd died young and was good friends with Clark Gable. The only movie of hers I'd seen was Libeled Lady (1936), and that too had been a few years before. But now that I've researched a bit about her, my goodness, her life and early death were quite interesting!

If you were to stop a random person on the street and ask them who first comes to their mind when conjuring up the image of a platinum blond, ivory skinned, red lipped beauty draped in fur and diamonds, they'd reply easily with "Marilyn Monroe." Marilyn, who came to a demise almost as tragic as Jean's, would glorify the "blonde bombshell" image and make it iconic. But it was, in fact, not her who created it but Jean Harlow, some twenty years before.

She was born Harlean Carpenter on March 3rd, 1911, in Kansas City, Missouri. Her childhood was overshadowed by a domineering mother, a greedy stepfather, and illness; suffering meningitis at the age of five and scarlet fever at fifteen. In her family, she was nicknamed the "Baby," and when she became a movie star, she was the "baby" of the MGM lot. Perhaps it was her dimples and playful personality, which made Jean's performances as femme fatales even appealing because there was that underlying, childlike quality to her - very much the type that Marilyn Monroe would exhibit in later years. 

Jean made a vision on the screen. She was the icon of everything that was beautiful or glamorous in the 1930's, a poster child for sensuality laced with comedy - a good example is the famous line she delivered in Howard Hughes' 1930 film, Hell's Angels: "Would you be shocked if I changed into something more comfortable?" This one line could sum up the majority of the image that was built up for her; a sex symbol downplayed by a girlish grin; the girl next door wrapped up in expensive furs and perfume.

Her career flourished in the 1930s, as she turned out films like Red Dust (1932), Dinner at Eight (1933), and Libeled Lady (1936). Her best friend, her 'brother', was Clark Gable, who she starred alongside a total of six times. They were so close they truly considered each other siblings and Clark was known to have been the only one who didn't  call her "Baby", instead addressing her by his own affectionate nickname of "sis."

In 1935, after two failed marriages and a husband who had committed suicide, Jean took up with fellow film star William Powell. Bill Powell, with his impish mustache and mischievous manner, was no stranger to dating beautiful blondes. He'd just had a very clean, neatly done divorce with Carole Lombard (whom he still consider a friend), the screwball queen who would soon begin an affair with Jean's best friend, Clark. (Ironically, Carole would die prematurely and tragically too). 

As Clark's quote about her would express, babylike Jean didn't want Hollywood, but to be a wife and mother of many children. When she found true love with Bill, this was what she wanted, right away - so much so she was eager marry him, quit her successful career, and settle down to have a family. But Bill wasn't ready. He had two divorces under his belt and didn't want children. They would become engaged, but marriage was slow coming and Jean was left waiting.



From 1936, her path took a turn for the worst. She became pregnant with William Powell's baby. She was pulled in the many directions, for she wanted to keep the baby but also knew that Bill didn't want a child. To make matters worse, the couple were still not yet married. Under pressure from her mother, she went ahead and got an abortion, never telling Bill of the child. This put on a toll on her emotionally and physically. Upon attending the Oscars of that year with Bill, Clark, and Carole Lombard she was so sick that Carole had to help her to the powder room to recover. In the early part of the next year, she suffered a bout of influenza. Even dental surgery to have two teeth removed that spring put a great strain on her, all of this setting the tone for her final months. Jean's failing health was like a train heading dangerously down the wrong track, but she kept pushing on.

She began the filming of Saratoga (1937) with her 'brother' Clark. By now, Jean began to gain weight despite the constant diets she was on to keep her trim figure. Her usually pearly complexion of skin had faded into a shade that was gray and sickly looking. On film she had lost her typical glow and radiance, and in reality her condition grew worse. But Jean was a trooper and not one to disappoint the many cast members who were working on the film - so she pushed on.

One day on set (May the 29th), a scene called for Clark to pick her up and throw her onto a couch. But when Clark picked up his friend he was faced with a great struggle. He noticed more closely the gray hue of her bloated face, her heavy breathing, and the sweat lacing her brow. He gently laid her down on the couch and called for the director to cut. Despite the protests of the star that she could go on, the studio doctor insisted she be sent to a medical center.

But her "Mama Jean" 's religion did not believe in doctors, so instead of being sent to a hospital, she brought Jean home and cared for her herself, alongside some nurses, for a week. 

For seven days, the movie queen rested in bed amongst tangled silk bedsheets, her limp peroxide blonde hair fanning the pillow she lay upon. Jean did not improve. She desperately tried to spend this 'resting period' getting through the beginning of Margaret Mitchell's Gone With the Wind, but she was too frail to turn the pages. When her mother finally allowed to be submitted into Good Samaritan hospital on the eighth day of her grave illness, following episodes of vomiting and delirium, Jean reminded her nursemaid to pack her copy of Gone With the Wind so she could finish it while she was there. The nursemaid shook her head, "She'll never finish it," and this prediction was to come true.

At the hospital, her mother only let Clark Gable and William Powell visit her, both greatly disturbed by the appearance of the woman they both loved so much. Up until this point the reason of her illness was believed to have been an inflamed gallbladder, but when Clark leaned into kiss her he smelled what he thought was urine on her breath. He told this to the doctors and it was quickly discovered that Jean was suffering from urine poisoning, or what is known today as acute kidney injury. 



What had been happening to Jean that over the years her kidneys had been failing, and it was leading up to a great  illness like what she was experiencing. The reason she was becoming so heavy was because her body was being filled with toxins. All of this might have been repercussions of the scarlet fever she'd fared when she was fifteen. But in 1937, it was hard to treat kidney failure, and even though for years afterwards rumors would swirl that it was her mother's fault, for not taking her to the hospital sooner, she really could not have been helped. Kidney failure was just untreatable in this time.

Her state of kidney disease was so advanced, Jean could only excrete waste through the forms of breath and sweat. Her situation, which had been downplayed before this, became immediately an emergency as the hospital became besides themselves with ways to treat her. They shaved her bottle blonde hair away in desperation, for they thought some fluid might be able to drained from her head. But there was nothing that could be done for Jean. She lapsed into a coma and not much later, on June 3rd, 1937, at about 11:37 A.M she passed away. She was twenty-six.

It was a sad and tragic end to a star who had shone so brightly. Even though she had been ignoring her constant illness, fatigues, sunburn, etc. which were all symptoms of this disease, the capacity of medical knowledge at the time was not enough to treat her kidney failure. This was a time before dialysis.

News of the death of "Baby" spread fast throughout MGM. Spencer Tracy wrote somberly in his diary, "Jean Harlow died today. Grand gal." When the word was released to the general public, the cause of death given was uremia, which was what was stated in the official doctor's records. Throughout the years, rumors and suspicion would plague Jean's 'mysterious' death, though it wasn't all that mysterious at all. It was indeed a sad and haunting way for the movie star to pass, but the reasons were pretty clear cut. That terrible bout of scarlet fever she'd suffered at the age of fifteen had weakened her kidneys and her fate had become sealed from that point on. Still, people came up with their own reasons for her death - alcoholism, a botched abortion, or even that the peroxide MGM used to keep her hair that famous blonde shade had poisoned her. When the medical records were released the public in the 1990s, the reasons for Jean's death became quite obvious and the issue was put to rest. Though people may continue to say she might have been 'saved' had she not waited so long for proper medical care, it is untrue. In 1937, nothing could have saved her.

MGM planned a lavish funeral for her, and William Powell secured a glamorous crypt for at Forest Lawn. She was buried in one of the sexy gowns she'd worn in Libeled Lady (1936), and it is said a single white gardenia was slipped inside the casket, with a note from William Powell in her hands that read, "Goodnight, my dearest darling." The inscription on her gravestone is simple: "Our Baby."

With her early, tragic death, "Harlow" became an icon. Though her trademark bombshell looks would be overshadowed by Marilyn Monroe's rendition of the style in later years, for the earlier part of the 20th century it was Jean who claimed this iconic status. She was remembered as a wisp of a glamorous figure, suddenly there and suddenly not; some even like to claim her ghost haunts the old home she shared with her third husband, Paul Bern, who committed suicide. (I don't go for that whole, Classic Hollywood and ghosts thing, it's not the way I'd like to remember them; I think of them as family, which fills me with warm feelings, and not with spooky ones; you know?). In the 1960s, a film of her life was created, with Carroll Baker playing her.

Clark Gable, who likely knew her better than anyone, was very right when he said she never wanted to be famous; only to be happy. Jean Harlow would most likely have been satisfied still being "Harlean Carpenter" and living in some middle class home someplace, being a housewife with plenty of kids and going to the movie matinee on occasion - dreaming of being the leading lady of that film only for about two hours, then happily returning to her world and knowing that was where she belonged. 

According to one MGM writer, "The day 'the baby' died there wasn't one sound in the commissary for three hours... not one goddamn sound."


"I'm not a great actress, and I never thought I was. But I happen to have something the public likes."

***

After all this researching I've done on Jean, I'm really happy I chose her for this blogathon. I learned so much about her; and if you'll remember, I chose her as one of the ten actresses I wanted to see more of in 2012, and now I'm definitely apt to see her movies. I sympathize with her story so much after reading about her. I feel particularly sad knowing she was about Lucy's age when she died.

Also, all the information I gathered for this post about her was what I learned online, so if you're a real hardcore Jean fan and know tons of information on her, feel free to correct me ;) I apologize for any discrepancies there may be with her health diagnosis, I tried my best! :) OH, also, if anyone wants to suggest any Jean movies as well as any biographies about her, please comment letting me know! I'm really eager to find out more about her and see some of her films. I'm especially looking for her books about her.

I hope you liked my contribution and be sure and check out Comet over Hollywood for the rest of the entries! There are sure to be many great posts and I can't wait to read them! :) And a special thank you to Jessica for arranging this blogathon to pay tribute to the many stars we lost way too soon.

Wednesday, January 11, 2012

The actress who had a sweet way with a sharp line


"Some actresses take us by storm. Some steal quietly into our hearts. Myrna Loy had a sweet way with a sharp line, and she could communicate more with a delicately raised eyebrow than most performances can with a raised voice."

- Anjelica Huston, 1991

***
No, today isn't Myrna Loy's birthday. That was August 4th. And usually I only utilize one particular occasion to write solely about an actor: a birthday. But I'm going to make an exception for Myrna Loy because I have neglected her so much on this blog. And I really really like her. And I want to talk about her!

Myrna and I go back long ways. There are about three or four films I credit to the beginning of my classic film obsession. Technically it would be "The Sound of Music" (1964). For about a year I was obsessed with that movie, and it was my, hands down, favorite film. I watched it over and over and I knew every character, every line, every song (I think I still do). I honestly abused our DVD player with that film. But it wasn't until about year later that I became obsessed with classic film on a whole. I think it was one summer night when I sat around bored in our house, honestly playing with a ball or something, and my dad came up and invited me to watch a film with him in our basement (we have a movie theater there).

Well, I went down to watch it and that film turned out to be "Love Crazy" (1941), with William Powell and Myrna. I guess I was pretty open minded as a little kid, because I don't remember asking, "EW?! This is black and white?!" or "Who the heck are these people?". I just watched it. It was the first screwball comedy I had ever seen and mind you, screwballs don't exist anymore. Humor today tends to fall under the categories of either a) satire, b) raunchy, or c) disgusting.

Well, it was my first experience with a screwball comedy and I couldn't believe how funny it was. I split my sides and laughed out a lung during the whole film. I instantly declared it one of my new favorite films. I was on the verge of classic film, and then "Singin in the Rain" (1952) caught me hook and sinker and I never really went back. I asked my father, "Could you show me some more old movies?" And the rest is history. 

So though looking back there are certainly better screwball comedies, I will always have a sentimental attachment to "Love Crazy" (1941), and the sweet actress with a cute upturned nose that starred in it alongside William Powell.

Myrna Loy was voted "The Queen of Hollywood" (to Clark Gable's King) in 1937. And though she and Clark made a few films, her most famous co-star in the movies was easily William Powell, with whom she made fourteen films, half of which she starred as Nora Charles to Powell's Nick in the stylish "The Thin Man" series.  Nora Charles, the sophisticated female Sherlock, is probably Myrna's most familiar role. (I have not seen all "The Thin Man" films yet, I tend to watch those gradually over time. I think I'm up to "Shadow of the Thin Man" by now.)

The other night I felt like watching something, so I went on pay-per-view and checked out what TCM had (all their movies are actually free. I honestly don't know what I'd do without Turner Classic Movies). One of the films was "Evelyn Prentice" (1934), and the plot sounded promising, and it had Bill and Myrna in it, so I went for it. It had been a while since I'd seen a Myrna Loy film and it reminded me what a wonderful, beautiful actress she was and how terribly I've neglected the actress who had a "sweet way with a sharp line" (in the words of Anjelica Huston). 

Myrna Loy was a personification of refined beauty, sophistication, and style. She had a clever way about her and could portray the strongest emotions in the most subtle of ways. She wasn't the chew the scenery type. And not like there's anything wrong with the latter mentioned actress. You think of Bette Davis, perhaps, when it comes to chewing up scenery - and I love Bette Davis. But still, Myrna was a delicate actress. She didn't even have much of an education in acting, but she knew how to make a character seem real, natural, effortless, even down to the pauses between her lines like we would have in real life.

She was called "the perfect wife," because the characters she played were oftentimes the perfect wife. You think of Nora Charles, a sophisticated mix of sleuth, the perfect hostess, the dependable woman. Despite this, when Myrna started out she was actually oftentimes stereotyped as the "vampy" woman, jungle princesses and the like. But studios began to recast her and soon she was "the perfect wife," though she herself didn't really like the label.

She was a woman before her time. She was quoted as saying, "What about a black person walking up to the steps of a courthouse with a briefcase?". In the 60's she became a big supporter of the Civil Rights Movement, and served as an adviser to the National Committee Against Discrimination in Housing. She called her work in the pre-Civil rights film, "Hams and Eggs at the Front" (1927) "shameful". She was a liberal and a feminist.

Myrna was never awarded the Oscar, but in 1991 she was given an Honorary Award, which is where the quote from Angelica Huston comes from. Myrna accepted the award from her New York apartment and said very simply, but genuinely with the elegance she'd exhibited all her life, "Thank you. You've made me very happy." 

She had a quiet way about her, but she was a beautiful actress who also happened to be a very incredible human being. I think people tend to overlook her, I was overlooking her, but Myrna deserves more than that. So a new vow: talk more about Myrna this year. Because I like her quite an awful lot.

[via]

"Life, is not a having and a getting, but a being and a becoming."

- MYRNA LOY (1905 - 1993)

Saturday, December 24, 2011

Merry Xmas! [Part 1]: A Classic Hollywood Christmas

Okay, if you read my post for the Bogie blogathon earlier today, you'll know how I screwed up the blogging schedule I've quite carefully figured out for this week (with two blogathons, several birthdays, and CHRISTMAS). I really wanted to follow up with the post I'd planned for today, Christmas Eve, so I'm going to go ahead and write it anyway, despite the fact I'll be showing up twice in your feed today (at least, in my time zone). Apologies once more (I don't like to overhaul people with posts, lol).

All December I have been spotlighting my favorite Christmas films as a part of my Sunday Movie Review. Tomorrow is a Sunday, and is also happens to be Christmas Day, and therefore I'll be following up with my little Christmas blogathon by reviewing my favorite Christmas movie of all time.

However, in pledging myself to do this I realized I'd be missing out on some of the other Classic Hollywood/Christmas stuff there is to talk about, and so I decided to do a two part post. This is the first part, and the second part will be tomorrow, which will consist of my movie review.

For this first part I present to you all a list of ten random, Classic Hollywood Christmas things I felt compelled to share with you all.

10 Things That are Classic Hollywood and Christmas

1. HAPPY BIRTHDAY, AVA


Ava and one of her pet corgis wishing you a merry Christmas! Ava is one of my favorite actresses and I like her despite her faults because over all, she was still an awesome person. And she had good values about particular things, like she was ahead of her time when it came to racism: she didn't believe in it. But anyway, the point is that today, Christmas Eve, is her birthday! I read in her biography that it was a ritual on the 24th for two cakes to be baked: one chocolate and one coconut. One was supposed to be for the baby Jesus and the other for her but she always thought of them both for her. Anyway, any person born on Christmas Eve must be awesome, and Ava was. Happy birthday, Ava!

2. I LOVE LUCY: CHRISTMAS SPECIAL


I'm sorry, I could only find the colorized version (yuck!) on Youtube. However, this is a flashback episode and the flashbacks are still in B&W, I believe. Anyhow, try to ignore the colorization and enjoy this. It's a "walk down memory lane" episode for the Ricardos and Mertzes, and it takes place on Christmas Eve so I guess it's particularly appropriate for today. This episode isn't run in syndication with all the others, so if you watch Lucy on TV (versus online or on DVD) you might haven't gotten the chance to see this yet.

3. THE DONNA REED SHOW: A VERY MERRY CHRISTMAS


I just watched this the other day, I'd never seen an episode of the Donna Reed Show before. I liked and it so I'm sharing it! It was a little mushy but mush never hurts anyone in the holiday season [expect perhaps the Grinch and Scrooge]. Plus, this show's got Donna Reed, who should be the queen of holiday mush as she starred in The Best Christmas Movie of All Time (can you just guess what movie I'll be talking about tomorrow). I like her a lot, I think she's an underrated actress. (Donna Reed, I mean.)

4. GREER AND AN ADORABLE LITTLE BOY WISH YOU HAPPY HOLIDAYS

[via]

I would SO much rather get this in my mailbox instead of the usual tacky Christmas cards (just saying). The GIF (which isn't mine, you know where to click, yep, that's right, the "via" link, because that Tumblr is pretty awesome) is from "Blossoms in the Dust". (A Greer and Walter movie, I saw it but never did a review of it. It's good, though, so watch it! Albeit, not a Christmas film, it only has a Christmas scene in it, just so you know.)

5.  CHRISTMAS PIN-UPS




So many awesome Classic Hollywood Christmas related pin-ups! This is a handful of so many. From left to right: Paulette Goddard opening presents, Elizabeth Taylor showing off her kitten and wishing us a happy holiday, Mary Pickford changing the street sign from "Hollywood" to "Santa Claus Lane", Ginger Rogers fooling around with the Christmas tree, Doris Day boasting the presents she's got, Carole Lombard admiring her presents, Natalie Wood smiling through her adorned wreath, Audrey Hepburn hugging Santa Claus, and Lucy and Desi bashfully exchanging gifts with one another. :) 


6. CHRISTMAS PLAYLIST


"The Little Drummer Boy" by Bing Crosby


"Silent Night" by Lena Horne 



"Have Yourself a Merry Little Christmas" by Doris Day


"We Three Kings (of Orient are)" by Ella Fitzgerald

Some Christmas carols I love. I know I've been adding a Christmas carol with each movie review, but these are a few that I like that I didn't get the chance to share!

7. SUSPENSE RADIO: TWAS THE NIGHT BEFORE CHRISTMAS



"Twas the night before Christmas..." Christmas Eve with a mysterious twist! Greer Garson stars in this Suspense Radio Theater production that was broadcast on December 21st, 1953. A suspenseful take
on one of the most cheerful holidays of the year! 


8.  I ASTA ORNAMENT

I made this myself. Honestly, who WOULDN'T want this ornament. Seriously,  if this were a real item it would totally have been in my holiday gift guide. Because who DOESN'T love Asta, I tell you. [Lassie?? Pfffhtttt].

9. LUCY: SANTA LUCIA


"I squinted up into the blazing sun and saw a figure hovering over me dressed all in black with a Santa mask and beard and rolled up orange hair. "Santa Lucia!" I cried out."
- I LOVED LUCY by Lee Tannen

* did you ever see a more beautiful Santa? *

10.  THE MOVIES I MISSED

I decided to share with you my favorite Christmas films this December, and I only had four Sundays, which meant only four movies. I had to leave out a few that I love. Here are clips from them --

THE SHOP AROUND THE CORNER (1940)
Jimmy Stewart, Margaret Sullivan 


THE THIN MAN (1934)
Myrna Loy, William Powell

HOLIDAY (1938) [New Years]
Katharine Hepburn, Cary Grant 

***
The second part of this post will be up tomorrow [the movie review]. Now, I'm off to enjoy "It's a Wonderful Life" (I always watch it on Christmas Eve! ;D).

But in advance: Merry Merry Christmas, my readers - or whatever holiday you're celebrating this time of year!