Continuing with a director whose films I often turn to when I'm in the mood for something I can rely on to cheer me up or make me smile. To read previous installments of this series, go here.
VINCENTE MINNELLI (1903 - 1986)
I don't know why, but whenever I write up one of these posts I always feel like I have to explain certain exclusions from my list. It's probably annoying. However, I do want to add in here that I did not forget Gigi (1958) or leave it out because I haven't seen it. I actually have, and I'm going to be blunt by saying it's really one of the most ridiculous movies I've seen. I don't understand how Vincente Minnelli could have directed it. But then again, I'm really alone on this opinion because Gigi did, after all, win Best Picture. Oh, well.
MEET ME IN ST. LOUIS | 1944 | Judy Garland, Margaret O'Brien, Tom Drake
I did a review of this film not too long ago, so I won't talk about it very much, but it's one of those movies that I can watch over and over. It's a film that I can always turn to to cheer me up, and it's one of my favorite musicals. Judy glows during the whole, glamorous Technicolor production. On a TCM special, Margaret O'Brien said working with Judy on this movie was a pleasure because she was really in love with Vincente Minnelli at the time, and she was in one of her best periods.
THE CLOCK | 1945 | Judy Garland, Robert Walker
This is a really cute movie I watched for the first time last December, and I enjoyed it a lot, actually. Robert Walker plays the All American soldier on leave for two days and he runs into an adorable Judy Garland. They fall in love, and a wartime romance ensues with some of the usual and unusual complications, as well as impulsive decisions. I'm not always that keen about directors directing their wives, but from what I've seen, whenever Vincente Minnelli directed Judy it turned out pretty fantastic. This film has just the right dashes of comedy, drama, and sugar. On all of my 'favorite filmmakers' lists, I've been trying to add one less known work to the list and this would definitely be it for my Vincente Minnelli list. A sweet, enjoyable movie you ought to catch if you get the chance.
FATHER OF THE BRIDE | 1950 | Spencer Tracy, Elizabeth Taylor, Joan Bennett
One of the best comedies MGM produced in the 1950s, a very truly funny movie. The plot is very simple, Elizabeth Taylor is "daddy's little girl," and when she announces her engagement to her boyfriend, it's too much for her father, Spencer Tracy, to handle. Spencer Tracy's Stanley Banks character must realize all the financial, organizational, and worst of all, emotional pains that come with being "the father of the bride." Joan Bennett plays his supportive wife, Ellie. This is another movie that would cheer you up just by watching it. Spencer Tracy is pretty much perfect as Stanley Banks, he was rather good at satire, and I couldn't imagine any other actor playing the role. All the other actors fall just as easily into place. This was one of Elizabeth's "transition" roles, and the character suits her very well. A hilarious, cute, and even relatable film that sure's to make you smile. (Its sequel, Father's Little Dividend - which was released just a year later based on this movie's success - is pretty good, too).
AN AMERICAN IN PARIS | 1951 | Gene Kelly, Leslie Caron
The title says it all. Gene Kelly plays just that: an American in Paris, who falls for a pretty French girl played by Leslie Caron. As luck would have it, his friend complicates the situation by going for her as well. It's been a while since I saw this movie, at least two or three years, but I do remember enjoying it a lot and I had to include it on this list. I pretty much associate Vincente Minnelli with musicals, and this is one of the best examples why. (Of course, I do like Meet Me in St. Louis a bit better...) This is filled to the brim with wonderful songs and fabulous dance routines, executed beautifully by Gene Kelly. Gene Kelly is a true entertainer is this as he always was. I have a bit of a stigma on Leslie Caron because of Gigi (1958), but I probably should drop it because I enjoyed her in this (and Father Goose, as well). The bottom line is if you love lush musicals, there's no doubt you'll love this film.
THE LONG, LONG TRAILER | 1953 | Lucille Ball, Desi Arnaz
So here's a bit of trivia for you: Desi made a bet with MGM writer Benjamin Thau (who had handled the Arnazes' departure from MGM in 1946) - if The Long, Long Trailer could not outgross Father of the Bride, which, up until that point was MGM's biggest comedic box office smash, then the Arnazes would take a $25,000 cut from their quarter of a million fee. But, if The Long Long Trailer DID outgross Father of the Bride, the Arnazes would get an additional $50,000. Thau was so confident he had a clause written up in the contract. Of course, the film did indeed garner more cash than Father of the Bride. Lucy and Desi at the time were, after all, two of the most popular people on the planet (1953 was the year of Little Ricky's birth and I Love Lucy was at the height of its fame - a really fabulous year for these two.). This movie landed up being the seventeenth most popular picture of the year. Lucy and Desi play newlyweds, Tacy and Nicky, who buy a trailer to live in and honeymoon in it on their way to Colorado. As excepted, all sorts of complications fall into place that threaten their marriage. Their characters in this are very similar to that of Lucy & Ricky Ricardo (though I must say, Tacy isn't as wacky), and some liken this to a Lucy episode stretched into a film. Perhaps, but it's still a very hilarious film, the dialogue crackles, both Lucy and Desi do tons of great physical comedy. The cinematography is absolutely gorgeous, Lucy's wardrobe is the epitome of 50s fashion, Lucy and Desi's rapport/chemistry is perfect. Another movie I've seen over and over, one I just enjoy a lot. How could you not love watching Lucy & Desi "breeze along with the breeze"? Everything about this film is just the poster child for the 1950s and its glamour. Vincente Minnelli himself described this as a "painless" movie to make. (Little Liza hung around her father's set and Lucy played with her; about twenty years later, she and Desi, Jr. were dating!)
TEA AND SYMPATHY | 1956 | Deborah Kerr, John Kerr
This is also a movie I discovered rather recently, but love a lot. (This was when I had a very crazy Deborah high earlier this year, and saw tons and tons of her movies all at once.) Deborah plays Laura Reynolds, the wife of a "manly" camp instructor (of sorts), Burt. He has explained to her many times that she is not supposed to give anything more than "tea and sympathy" to the boys there, but she can't help be troubled by Tom Lee (played by John Kerr), a sensitive seventeen year old boy who is different than his peers, so much so to the extent where they have labeled him "sister boy." Laura lands up endangering a lot of things when she helps Tom find who he really is in side. This was a play and what would seem a great flight risk to take to the big screens in 1956, especially considering one of the main themes of this movie is homosexuality. I haven't seen a version of the play, but Minnelli did a fantastic job in my opinion of transferring such a controversial story into a film. Of course, it was Deborah Kerr who took the challenging, daring role of Laura Reynolds on - and as usual, she was absolutely fabulous. John Kerr was also very believable as the confused seventeen year old boy. But over all, a lot of credit goes to Vincente Minnelli for being able to make this movie in 1956.
So, that's my list. (I give a very honorable mention to The Bad and the Beautiful). How about you - what are your opinions on the movies I chose/your favorite Vincente Minnelli movies? Leave me some comments, I love to hear! :)