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Showing posts with label Natalie Wood. Show all posts
Showing posts with label Natalie Wood. Show all posts

Sunday, August 12, 2012

Sunday Movie Review: "Sex and the Single Girl" (1964)


I can't ignore the obvious. This site has had some... pretty major changes with it's interface within the last few days. It's been quite nearly a three day process (as anyone who's been on here recently might be familiar with; and for that I apologize), but I'm finally finished and quite pleased with it. Gone are the polka dots and the drive in; my new design I (hope) is cleaner & fresher. I'd been wanting to replace the old one for quite sometime (as I've had it for a year and it was becoming way too cluttered from my taste) but never knew just what to replace it with, and finally I was able to settle on a header and a color scheme and everything bloomed from there. So it's staying - for a while, I think. I've also overhauled the 'about me' and 'Sunday Movie Review' pages. (I cleaned up my favorite actor & actresses pages a few weeks ago, as well). Any thoughts?


This is the first review I've done in a month! It's hard to get back into the swing of this so today is a short review from my 'Netflix archives'. I hope no one minds and I promise my next SMR will actually be quality - or as quality as I can get, anyways!

What have you all been watching lately? I've been watching so many more movies from the 60s and even 70s because of Julie Andrews! Would you believe that I only saw one movie from the 40s (my favorite decade in film) last month? My most watched decade in July was the 1960s, so I guess I'm going through a bit of a 60s phase right now. Anyways, here's my archive review, as these always are it's much shorter than my usual reviews so do forgive me.

***


SEX AND THE SINGLE GIRL (1964): Cast, plot details

A womanizing reporter (Tony Curtis) for a sleazy tabloid magazine impersonates his hen-pecked neighbor in order to get an expose on renowned psychologist Helen Gurley Brown (Natalie Wood). Lauren Bacall & Henry Fonda costar as Tony Curtis's friends who add to a string of misunderstandings. [from IMdb - with doctoring by me]
  • Natalie Wood as Helen Gurley Brown
  • Tony Curtis as Bob Weston
  • Henry Fonda as Frank
  • Lauren Bacall as Sylvia 

THE VERDICT: ★★

Not nearly as exciting as it sounds, it's a 60s rom com through and through, with a finish that's over the top while managing to be only a little funny.
You can tell there were depending one one thing - er rather, one word? - to be able to truly sell this film: Sex. You can tell from the moment the word was blown up onto the screen in the opening credits. Movie-goers in 1964 were scandalized by it, all the while excited to get their tickets. The "scandalous" title was really just a trick to get movie-goers into the theaters. It's truly an innocent, glossy romantic comedy lacking even the tiniest drop of real gritty stuff. Why, Natalie Wood's earlier "Splendor in the Grass," with such a innocent title, was much more high strung than this average 60's rom-com. Very much a Doris Day-Rock Hudson movie with different actors. Natalie Wood is great in this - there is a sadly ironic scene in which she tries to stop Tony Curtis from drowning himself - but from what i read in her biography, she was not pleased with this and wanted more work like "Splendor." Tony Curtis is decent, too (everyone thinks he looks like Jack Lemmon in that movie "where they dressed up like women"). Fun to see Lauren Bacall and Henry Fonda in this star studded vehicle, as well. Mel Ferrer (I remember him only as Audrey Hepburn's husband) is in this, too. The last twenty minutes of the movie take place out on the street on a moter-bike, ice cream truck, taxis, cars, and who-knows-what-else. A true 60's romantic comedy - and though the title may suggest more, it sticks straight to the status quo. Since I love pretty much everyone in this, I give this a passing grade. 
PHOTOS & TRIVIA



  • This movie inspired the 2003 Renee Zellweger movie Down With Love.
  • One of the supporting cast members died on the day of the film's premiere.


A MOVIE TIDBIT

Friday, July 20, 2012

Happy Birthday, Natalie! [5 Things I Love]

Today's the birthday of one of my all time favorite people, Natalie Wood, and so today I share with you five completely random things I love about her

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Happy birthday, Natalie!


"She was very smart. She read a book a week and had a wicked sense of humor. She was just adorable — one of the few movie stars I’ve met who was really worthy of that title.

“She lived a very simple life. You know who her friends were? My favorite picture was taken when I brought a new camera over to her house. At the house that day were Laurence Olivier and Elia Kazan. So I have a photo of Olivier, me, Natalie and Kazan. You look at that picture and the tragedy is you would never think she’d be the first to die.
“To go to a New Year’s party at her house was amazing. It was the kind of thing where Cary Grant came over at 12:30. She was the hub, she was the nexus. She was a child star and everybody loved her.”

- A director who worked with Natalie [x]

***

#5: She's better than you may think


I've heard Natalie been described as "fluffy", "a cute actress," and "kept around for her looks," but I hardly think so. Her doe eyes and petite figure shouldn't fool you, because Natalie Wood could be a real powerhouse of an actress. Though she did do glossy movies like Sex and the Single Girl (1964), she hardly enjoyed making them and preferred the more melodramatic works she did with directors like Nick Ray and Elia Kazan. I also feel that directors like this could coax the best performances out of her, in movies like Splendor in the Grass (1961). Her work in West Side Story (1961) is overshadowed by other elements of the famous musical but is still fabulous, and she's also incredible in movies like This Property is Condemned (1966) and Love With the Proper Stranger (1963). It's super unfortunate that she's remembered rather for her drowning than her performances.

[via; from the bathtub scene in Splendor in the Grass - I like Sophia Loren a lot, and I have yet to see Two Women, but I do really wish Natalie had won this year. She never won. Not fair.]

#4: Natalie, the child star

This is kind of an extension of #5. The movies Natalie made as a kid were not always very good, save a few exceptions. (If you're interested, you can read a spoiler review I did of the way too soapy No Sad Songs For Me, in which Natalie plays Margaret Sullivan's daughter, here. Oh, and you can also read a post about the much better Miracle on 34th Street here.) But for a young girl, her performances were most always brilliant. Natalie was never a child star in the likes of Shirley Temple or Margaret O'Brien,  more of an actress working constantly in films who happened to be a child. She was pushed into the movies by her aggressive stage mother (who apparently used to snap butterflies into two so Natalie would cry on cue). But as a child actress, Natalie was naturally sharp and her performances were excellent for her age. There were always a certain maturity to her performances and because of this she always steered clear from the sappy, sticky sweet range Shirley Temple frequently wandered into. I'm always blown away by her work in her first movie, Tomorrow is Forever (1946), where she plays an Austrian refugee child and her co-stars are the likes of Claudette Colbert and Orson Welles. She was only eight and Orson said, "She was so good she scared me." And as a child, she worked with some of the top stars of the 40s. Besides the latter mentioned, she shared the screen with: Barbara Stanwyck, Irene Dunne, and Bette Davis.


[via]

#3: Candid camera

Well, not always 'candid', but all the while, I felt the need to mention that photos of Natalie were always incredible. Natalie was obviously gorgeous with her dark, Russian beauty; however, even the most beautiful of people don't always photograph well, but Natalie was utterly photogenic. I've never come across a photo of her where she didn't look amazing. Photos of Natalie were taken mostly in the 1960s, so they all contain a fun, retro spin on them. I can't really explain it, but the photos of her are always the prettiest, candid or posed. Anyways, here are six good examples:



#2: Natalie as a mom

This is a part of Natalie that I think has been less discussed. When I was reading her biography, however, I really got the image that she was a good mom. She had two daughters, Natasha (b. 1970) and Courtney (b. 1974). They were seven and eleven, respectively, when she died - which is of course, terrible. However, in the time she did have with them I'm sure she must have been a wonderful mother. When she had them, she slowed down her career and wouldn't accept a film unless she knew her husband, Robert Wagner, could stay with the children while she was working - or vice versa. She loved to take them on trips on the boat and let them bring friends along. I think Natalie was very much deprived of a childhood, and her mother was just terrible (whilst reading her bio, I wanted to slap her mother... several times..). A real heartbreaking story is the day before she left for Catalina, Natasha begged her not to go because she had a feeling something might happen to her mom. Natalie was tempted to, but others convinced her not to spoil Natasha and to go, so she landed up taking the trip - and she drowned that weekend. Isn't that so sad? Ugh.


#1: The other side to Natalie

This one is hard to describe, but I suppose it's just a quality in Natalie that makes me love her - that I can't explain. When you watch her on screen, you don't want anything bad to happen to her. When you read about her life, it's completely intriguing and oftentimes sad - but there's never a dull moment. From getting to know her, what I have extracted from her personality is that she had a lust for life and an excitement for living, which I think it makes it all the more terrible her life was cut so dreadfully short. I think there were two sides to Natalie: this glamorous movie star named "Natalie Wood", and this fun, playful lady who went by her childhood name of "Natasha" and cooked great Spanish eggs and loved to time spend with her children and read plenty of books and listened to Bob Dylan and watched Vivien Leigh movies. I guess this fine line between the two sides to her are the reason I love her; and I feel almost as if I get the best of both worlds by loving Natalie.

    
    
    
[via]

***

So that's all! However, considering it's Natalie's birthday, I'd like to plug this little clip I stumbled upon on Youtube a year ago and it nearly knocked me over. It's Natalie, in the late 70s, being interviewed by Lucille Ball and her son. I KNOW. I ALMOST DIED. Anyways, it's a lot fun to watch, so I'm leavin gi there. Try to get some Natalie in your day today! :)

Thursday, February 23, 2012

On My Birthday

Yes, dear readers, today happens to be yours truly's birthday. For the sake of the fact that there are creepy old stalkers out there, I'm not going to outright tell you what I turned today, but I assure you I'm still in my teens. :)

Since today is my birthday, I thought I'd share a personal story. It's the story about how I fell in love with classic movies. Every classic movie lover has a story about how they first became a Classic Hollywood fan. Most people don't wake up one morning and decide to be one. When someone's a fan of something current or modern it's usually something popular that they might have tried out for themselves and enjoyed. But most people don't say, "I want to try out classic films!" You stumble upon - it happens - you're hooked.

I've told you bits and pieces of this story before, but here is a full reflection. I mean, I've been meaning to do this for a while, and I guess a birthday's a pretty swell day to share something personal, right?

{You'll be surprised by how many details I remember.}

how i fell in love with classic films
As a little kid, my parents used to take me to the Blockbuster up the street. I’d wander excitedly down the aisles, carefully choosing out the DVD that I wanted. When I was little, I wanted to watch “The Powerpuff Girls” (much to my mother’s chagrin – she was never really a fan of Blossom, Buttercup, and Bubbles). As I got older, I rented out each season of “The Lizzie McGuire Show” (I know, it’s corny – but out of all those Disney Channel shows, I still say Lizzie is the best).
When I was about eight, my father excitedly found a copy of “The Sound of Music” for me. Every time he searched for the DVD, he found it had already been rented out – and made jokes that Julie Andrews and Christopher Plummer were always renting it out to force upon their grandchildren. (To this, I gave him puzzled looks… Julie who? I was shocked later to find out it was the Grandmother from “The Princess Diaries.”)
Anyhow, that day he found it. I was thinking, “It looks boring,” but my eight year old self considered myself quite open minded so I okayed my dad renting it out, and went to find some Disney movie. We stopped by Giant, I picked up some sort of a granola bar, and returned home – yes, I always remember the granola bars. It’s what I went upstairs to get in the intermission.
We returned home, and my parents took me downstairs to the movie theater (yes, the movie theater – when you have movie buffs like my dad and me in the house, you kind of need one) and we settled in to watch. From the first scene, I was taken by how beautiful the mountains were. But I was still not sure if the film would be interesting.
And then, it captured my attention.
“It’s not boring.” It wasn’t. I laughed, I smiled, I tried to determine which Von Trap Child was my favorite. I thought Captain Von Trapp was mean – but we all know what a big marshmallow he turns out to be. I knew barely anything about the 1940’s or World War 2, but I loved it.
When the intermission came, I went upstairs to grab that granola bar and remarked to my father how much I loved it and how nice it was. We went back downstairs and finished the film, and I quickly decided it was my favorite movie.
Though after the film I had a really severe case of “Sound of Music-itis” (that’s the name I gave to the period of obsession one finds with the film after first experiencing how awesome it is – my friend watched it in the 5th grade from my encouragement, and the same thing happened to her)…. I watched it all the time, over and over again, had it rented out for months (I think I was singing the song in my sleep), I didn’t become immediately hooked on classic movies. 
It took another year for the full breakthrough, even though I loved an “old movie” with all of my heart… and I never forgot the first day I watched the movie.
That came in the summer when I was nine. I was on a real “Disney Channel” high that summer, as a lot of nine years old could be. I think I idolized it. And then, towards the very end of the summer and as I entered fourth grade, it all changed.
One night I was bored and my father invited me to watch a movie, if I’d like to. So I went downstairs and we watched “Love Crazy” with William Powell and Myrna Loy. On occasion, my father had showed me black and white movies – and even a silent film – as a young child, so it didn’t bother me.
I laughed my head off. It wasn’t the best film, thinking back and watching it over, but it was screwball and I enjoyed it. I decided it was a new favorite film of mine. And when I went upstairs, my mother was watching “The Philadelphia Story” on TV. I obviously didn’t realize any of the actors, but I was getting a good dose of black and white movies in lots of parallels.
Then we rented out “Singin’ in the Rain” from my new Netflix queue – the queue was all my own, but my father added this in for me. It was September by then, and though I told myself I still liked my silly Disney Channel shows, I didn’t find myself watching it as often. “Singin’ in the Rain” was an instant hit – and a new favorite movie. I watched it over and over.
I asked my dad to add more old movies into my queue, because I liked them. Next came “Bringing Up Baby” and I was done for. Now my nine year old self talked nonstop of classic movies and I declared Cary Grant and Katharine Hepburn, the stars of yet another new favorite movie, my favorite actors. After that, I looked forward excitedly to each Friday night – not only because it marked the end of a grueling school week (lol) but because at eight, we’d start a new classic film. There was “Some Like It Hot,” and “It’s a Wonderful Life” – “It’s a Mad, Mad, Mad World” and “Sullivan’s Travels”… and, of course, “The Philadelphia Story” that Thanksgiving, which I excitedly looked forward to – now that Katharine Hepburn was my favorite actress, of course.
I let my love of these films be very open. At family dinners, I’d babble about how Katharine Hepburn and Cary Grant were my favorites… and how each new classic movie I watched because my “favorite”.
In October of that year – I think it was Christopher Columbus Day – I had no school and stayed in bed all day reading Nancy Drews. Then I flipped through the TV channels and stumbled upon “I Love Lucy” – the show my mother enjoyed and the show I’d heard of so often, but had never stopped to watch. And it was an old show, and supposed to be great, so I watched.
The episode was “Return Home From Europe” – the one where Lucy pretends a cheese is a baby. I split my sides laughing and from then on, the rest, as they say, is history. Lucy quickly became my favorite actress, and  all I want to think or talk about was old movies and I Love Lucy. I ate, breathed, and slept classic film from then on.
***
Well, that's how it happened. I'm grateful. Very. What would I do without the classics? ;)
Ok, I'm going to blow out some birthday candles -

And that's all for now!
xoxo

Sunday, February 12, 2012

Sunday Movie Review: "This Property is Condemned" (1966)

Hi everyone,

Today's SMR is going to be one of my short reviews, which is basically when I take one of the reviews I wrote for Netflix before and use it for this. :) Lazy and I try to avoid doing it, but this is going to be one of those Sundays - this compensates, however, for the huge review of The Women (1939) I wrote last week, so I guess it all evens out. :D

I chose This Property is Condemned (1966), which I watched last spring. It's a Tennessee Williams tragic romance, and Valentine's Day being this week, I guess it's, you know, appropriate and all. Anyways, be warned, this is another one of those cases where just about nobody like the movie but me. Maybe we should call it "the Summertime (1956) condition." ;)

***


The poster: Interesting... nice sketches, though!

The plot:
When railroad official Owen Legate visits a small Depression-era town to shut down its rail yard, he begins a passionate affair with a local girl. The romance angers her domineering mother and ignites the town's economic resentments. [from Netflix]

The starring players:
  • Natalie Wood as Alva Starr
  • Robert Redford as Owen Legate
  • Charles Broson as J.J Nichols
  • Mary Badham as Willie Starr
The verdict:
★★★★
One of the first things that attracted me to this film is the two leads - Natalie Wood, obviously, and Robert Redford. It's a little hard to remember that Redford's career had just begun at the time, and he wasn't exactly a star yet (you'll notice in the opening that Natalie's name is above the title, but his is right below it); this is difficult to take not only because of the acclaimed actor he is today but because he carries the film right up there with the likes of Natalie, who had been in the movies since she was a little girl. The two play off great chemistry. 
The second reason to watch this is Mary Badham. She played Gregory Peck's daughter in the critic's favorite "To Kill a Mockingbird." She is absolutely PERFECT as Willie. You'll just fall in love with her character. It's disappointing to learn she was only a child actress and her career in films was limited. Too bad; she was a wonderful actress. 
And the storyline of this film is absolutely fascinating. It's great fun to see the world through the fabricated eyes of Alva Starr, who always has her head up in the clouds despite the crucial period in American history (the Great Depression) this movie takes place in. For example: in Alva's world, the sky is white, not blue. Wouldn't you want to see things this way? For 110 minutes, you can. Just watch this film. Yes, like many, I was disappointed with the ending. But don't let that stop you from viewing a great film. As you all know, Natalie is one of my favorites and I always list this movie and this character as favorites out of all her filmography. Starring in this Tennessee Williams creation was her way of following in the footsteps of her idol, Vivien Leigh, whom she idolized upon seeing her in 1951's A Streetcar Named Desire. 
Critics didn't like this movie in 1966 and people generally don't like this movie, but to me this is a great, underrated classic with two big Hollywood stars, and I strongly suggest you watch it!
The bottom line:
This movie is one of my favorites and a total underrated classic. I really think you ought to watch it!
Some photos:



Some trivia:
  • There is a scene in the film in which Natalie Wood's character gets drunk; Natalie had trouble getting the scene right so she got drunk for real.
  • In one of the swimming scenes, Natalie was so afraid of the dark water she had to swim in, one of her co-stars had to dive underwater and hold her legs.
A movie tidbit:
The whole movie is on Youtube, this is the first part.



***

That's it, and I'm sorry the review was so short, but it really is a fantastic movie and there's not much to complain about it! (For me and Natalie Wood, anyway - this was her favorite out of all the movies she made - the critics and Tennessee Williams really weren't a fan of this one...)

Wednesday, December 28, 2011

New Year's Movie Meme

Hi everyone! I'm on my holiday vacation (and I've still a week more) and have been having a wonderful time! I actually plan to do a post about what I've been up to later this week, but for now I'm going to do Rachel's New Year's meme.

I love surveys, though I haven't done any yet on this blog so I'm excited to do this! Rachel's doing this in celebration of her reaching fifty followers. I too reached fifty last week, and I also had been pondering about taking the leap of faith and doing my own movie survey. I don't know, what do you guys think? Let me know - if I know people are interested I'll have more confidence to make one! (If I do, it'll probably be in a month or so).

As for now, here are my answers to Rachel's!


1. What is your all-time favorite Grace Kelly costume?

This is a cruel question. I really can't pick just one, absolutely everything Grace wore was beautiful and gorgeous. I don't think I could possibly choose an all-time favorite but for me, here's one of the strongest contenders for that title:

from "High Society" (1956)

I honestly didn't even like "High Society" all that much, but this dress is simply gorgeous. *swoons*

2. What classic film would you nominate for a remake?

This is also a hard question because I don't really believe in remakes of the classics. Even if a film wasn't all that good the first time, well, Hollywood today couldn't make it any better than it originally was. So out of my devotion to Classic Hollywood I can't really come up with an answer for this one.

3. Name your favorite femme fatale.

Gilda.



She was my first experience with a femme fatale, and I think Rita Hayworth did a wonderful job. To me Gilda is the posterchild for a femme fatale, and especially since she was willing to simply "put the blame on Mame," for everything she did.

4. Name the best movie with the word "heaven" in its title.

Hmmm... See the sad thing is, I haven't even seen "Leave Her to Heaven," which I know is pretty terrible and I'll have to remedy that soon enough. (I also really need to see "All This and Heaven Too".) The only movie I can think of (which also happens to have Gene Tierney in it), though it's probably not the best, but I'll go with it anyway, is: "Heaven Can Wait." (1943). Don Ameche stars in it.


5. Describe the worst performance by a child actor that you’ve ever seen (since Laura gave me the idea).

Don't kill me, guys. Don't send me hate mail or anything! But I'll have to go with Shirley Temple in "The Littlest Rebel" (1935). I actually detest that movie on several levels, and here's another confession: I'm really not that much of a Shirley Temple fan. I respect her because she was one of the biggest movie stars of that era, and I do like a number of the films she made as a teenager, but... still not her biggest fan.


6. Who gets your vote for most tragic movie monster?

Guys, I'm sorry to be annoying again, but I really haven't seen any monster films at all! So I'm going to have to pass on answering this. But for that matter, do you have any suggestions for monster movies?

7. What is the one Western that you would recommend to anybody?

I'm not much of a Western person either but I'm going to say "The Searchers" (1956). My dad had to force me into watching this (he also forced me into "High Noon", but I like this one better), and in the end I had to admit it was pretty good. (NO, I was totally not influenced by Natalie Wood's presence in this movie... what? what are you suggesting there?...)

 
What? No? Natalie had nothing to do with it....

8. Who is your ideal movie-viewing partner?

Pretty much anyone who is a classic movie lover. Anybody who has ever watched a classic film with someone who isn't a fan of it will know what I have endured. Partly it's my own fault because I decide to be all stubborn and force some of my friends to watch classic films because I think by some miracle they'll be converted and we'll just sit around and have conversations about Greer's voice or Bette vs. Joan or the horrors of Cary Grant growing a mustache. A good example is when I made a group of my friends watch "Gone With the Wind" (1939). I told them about Rhett trying to smash Scarlett's skull and Atlanta burning to the ground and Rhett swearing and all that exciting stuff, and I put it on. But they only lasted about twenty minutes before taking to Facebook. And I was sitting there like an idiot, going, "Look! Atlanta's burning! Melanie's dying!"  (Mind you, these are the same people that said that Greer's voice wasn't perfect...)

I will never get people who don't love classic film. But, each to their own, as they say...

9. Has a film ever made you want to change your life? If so, what was the film?


As much as I love film I can't think of one particular film that changed my life. I try not to let things influence me to that certain of an extent. But classic film in general has a big influence on me and the way I act though. (Does that totally override my last statement?). Classic movie stars are my role models and inspirations, which some people may roll their eyes at, but I think I'm getting a lot more out of looking up to Lucy than I would Kim Kardashian (or any other "reality star" of today for that matter). So the basic answer is not one particular film but just classic movies in general. They have a positive influence on me definitely.

10. Think of one performer that you truly love. Now think of one scene/movie/performance of theirs that is too uncomfortable for you to watch.

Hmm. Well one performer that I obviously truly love is Lucy. And I will watch her in absolutely anything, even an advertisement for Snuggies. However, I have to admit, "The Big Street" (1942) is uncomfortable to watch because Lucy is really mean in it. Like, her character is awful. Not to mention it's also a pretty bad movie, THOUGH at the same time I feel she gave one of her best performances (she also looks really gorgeous in this movie). Does that make any sense at all?


I guess what I basically mean is that it was hard seeing Lucy play a character so mean and heartless because we're used to the Lucy we all love. But at the same time she did a really good job of playing this cold character, in what is still a 2 star movie. (??? sigh).

11. On the flip side, think of one really good scene/performance/movie from a performer that you truly loathe.  

Before I answer this, I want to make a point of saying that I DON'T LOATHE HER, she's just not one of my favorites and I do think she is overrated. Yes, just a little. But please don't send me hate mail (and besides, I'm actually praising her in this answer).

So who is this "her"?


Yes, Marilyn Monroe. But I really liked her in "Some Like it Hot" (1958) - it's one of my favorite films in fact and she was quite good in it. In general, Marilyn tends not to be one of my favorites, but I really did like her in this. 

12. And finally, since it will be New Year's soon, do you have any movie or blogging-related resolutions for 2012?

I think to get better at my movie critiquing and a little more serious about it. So basically to become a better movie reviewer. And I think to also be able to strip down layers of the film - stuff like the actors, the movie score, heck, even the poster - to its core and really be able to analyze that better. I think that's what a real critic would do, and then think about the other stuff afterwards, whereas for me it tends to be in reverse. And since I review a movie every Sunday, I'm definitely going to get a lot of practice in doing this!
***

I had a lot of fun answering these questions and finally being able to do a meme! Thanks for making this, Rachel, and congratulations on reaching fifty followers! :)

I'm probably going to write another blog sometime later this week about the fun classic Hollywood related stuff I've been doing over break. But if I'm not able to get around to doing it, well.. then... Have a really happy New Year! And I'll see in you in 2012!

PS: If I made a meme of my own and you think you'd do it, let me know. :) 


Sunday, December 18, 2011

Sunday Movie Review: "Miracle on 34th Street" (1947) ❅



I'm back again, with the third Sunday in my Four Sundays of Christmas blogathon! For each four Sundays of this month, I'm sharing with you my favorite Christmas films. So far, I've reviewed "Holiday Affair (1949)" and "Christmas in Connecticut (1945)".

As a note: Sally over at Flying Down to Hollywood is hosting the 12 Days of Christmas blogathon, and I secured a spot, promising to write up for this film. Therefore, this review is my contribution to the blogathon. Be sure and go over to her blog and check out the other 11 entries, I'm sure they'll all be lovely - I believe a full list of all twelve entries will be compiled on Christmas Eve, so you can see it then. As for now, this is my entry. Thank you, Sally, for hosting this!

Before I get onto the review, just a quick note, guys - you might have noticed that I only need one more follower to reach fifty. To reach fifty followers after a little more than six months of blogging would honestly just make me sooo happy! When I started this blog I wasn't even sure if I'd be able to manage a few followers, so to nearly reach this milestone truly blows me. :) The thing is, I haven't exactly reached it yet... I still need just another follower, and I've really like to reach fifty by the end of this year. There's just about thirteen days left in this year. Let's see if we can reach it!

Okay, enough of that. Time for the review! And, as promised, here is this Sunday's classic Christmas carol:

"Let it Snow" by one of my favorites, Doris Day

And this week's movie, as you might already be able to tell, is "Miracle on 34th Street," (1947) with Maureen O'Hara, Edmund Gwenn, and a very young Natalie Wood.

***
The poster: Alright, if a little dull! (In my humble opinion)

The plot:
When Santa falls down drunk in the Thanksgiving Day Parade, reluctant Macy's supervisor Doris Walker (Maureen O'Hara) offers the job to a bearded Kris Kringle (Edmund Gwenn, who won a Best Supporting Actor Oscar) purporting to be the real Santa! During the Christmas season, he shares a flat with Doris's neighbor (John Payne), who has eyes for Doris. Kris hopes to unite the two while winning over Doris's skeptical 6-year-old daughter (Natalie Wood). [from Netflix]

The starring players:
  • Edmund Gwenn as Kris Kringle
  • Maureen O'Hara as Doris Walker
  • Natalie Wood as Susan Walker
  • William Frawley as Charlie Halloran
The verdict:
4/5
You may call this movie a big advertisement for Macy's but I love it all the while. I love the plot, it's humorous and sweet, but don't label it as all fluff. It actually deals with some serious topics, not to mention that our Santa lands up in an mental institution on grounds of insanity. You also have Maureen O'Hara as a successful single mother - single due to divorce, something not quite popular in 1947. Thus Doris Walker became such a symbol for immorality in this Christmas film that it impelled the Legion of Decency to give this movie a B rating. So, no, despite it being based on a children's tale by Valentine Davies, it's not all fluff.. not exactly.

Edmund Gwenn is the perfect stereotypical Santa, with his glorious beard, rotund stomach, and jolly holiday spirit. He is so good, in fact, I think that he is the very definition of "Kris Kringle" in many people's minds, mine included. He is persuasive above all, which I think in this movie is very necessary. So he definitely deserved the Oscar he garnered for this role.

Maureen O'Hara is also fantastic as Doris Walker. In most cases you would resent the fact that she has forced her daughter, Susan, to grow up and face reality the way it is. But I can honestly say that her character is likable, and you can truly understand her reasons for not wanting Susan to believe in Santa Claus. She is wonderful across John Payne, her romance interest. He too is good, a very likable character, and all the while long you have your fingers crossed for he and Maureen O'Hara to get together.

Thus brings me to Natalie as Susan Walker. Natalie Wood never really considered herself a child movie star, not one in the likes of Shirley Temple or Margaret O'Brian - whereas the latter mentioned actresses had vehicles created for them in which they starred, Natalie usually played people's children in films. So she considered herself more of an actress in films who happened to be a child. Yet out of all the films of her childhood career, this is the most famous, and the one that probably marks her as a child movie star.

Bottom line is I loved her in this role. She is so sweet as the doubting six year old, and one of my favorite scenes in this movie is one in which she teaches Santa how to chew bubble gum. All the while her maturity prevents her from becoming sickeningly sweet or annoying, i.e Shirley Temple in her films. Also in this cast you've got William Frawley, in one of his pre-Fred Mertz roles.

I really love this movie. It's sentimental, charming, genuinely entertaining - albeit bordering on corny at times, but that's okay because it's a Christmas movie. I find it, even, a little clever. This film has found its way into many people's hearts - point in case, a colorized version (one we should all AVOID however). But I really suggest you settle into a comfy chair with a cup of hot chocolate and the B&W version of this movie. This one is one of my favorites to watch over and over!

Bottom line:
This will take you on an affectionate journey, and it's the type to leave you with a warm and fuzzy feeling. So I strongly suggest you watch it. :)

Some photos:




[via]

Some trivia:
  • Natalie, who was eight when she did this, was truly convinced during the filming that Edmund Gwenn was Santa Claus. It wasn't until she saw him at the wrap party out of costume that she realized he wasn't Santa.
  • Darryl F. Zanuck did not really promote this as a Christmas movie. He wanted the film to be released in May (and it was), because he claimed more people went to the movies in the summer. Therefore, the Christmas movie angle was not used so often when publicizing this movie.
  • Maureen O'Hara was pretty much forced into this role, as she was just returning to native Ireland when she got called back for this movie. But upon seeing the script and meeting the young Natalie Wood (she and Maureen would form a strong bond), she changed her sentiments.
A movie tidbit:


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It's only a week until Christmas! Can you believe it???!

You'll probably be hearing a lot from me this upcoming week. I have two blogathons as well as some Christmas posts planned, and then the last Sunday in my blogathon. So.... until later! Here's a photo of Lucy, Cary Grant (!!!!) and Ann Sheridan to keep you in the holiday spirit:

Yes, I cried tears of joy when I saw this photo.


Tuesday, November 29, 2011

In Memory of Natalie Wood

 "At night, when the sky is full of stars and the sea is still, you get the wonderful sensation that you are floating in space."
- Natalie Wood

WELL, I THINK you all may have guessed that today I would be writing about Natalie. :) Today marks the thirtieth anniversary of her drowning off Santa Catalina Island. About two weeks ago her case was reopened by the L.A Police Department, sparking a lot of new interest in Natalie and her drowning. 

Natalie's biggest fear in life with was water, especially dark water. A few weeks before her death she was quoted as saying, "I've been terrified of water, and yet it seems I'm forced to go in it in every movie I make." (She's right, too - Splendor in the Grass, Sex and the Single Girl, The Great Race...just to name a few, and some of which involved her trying to drown herself or saving someone else who was drowning). 

Her fear of water stemmed from her mother. Her mother, who went by various names like "Mud" or "Maria", was a very fabricated woman who believed that she was descended from royalty (the Romanovs - a picture of them hung over Natalie's crib in their 1930s San Francisco apartment), believed wholeheartedly in gypsy folklore and black magic, and was obsessed with making Natalie into a star (so much so, she totally abandoned Natalie's other two sisters, Olga and Lana). Thanks to her mother's insane habits, Natalie suffered a lot of tragedy in her life and her childhood was really wretched away from her. But likely the biggest mistake Mud ever made was telling Natalie, from the time she was a baby, that she was going to have a death by drowning. 

This was a fear Mud possessed, and she easily passed it onto a young Natalie, who didn't even want her hair to be washed in the sink for fear of having her head submerged in the water. This fear was intensified during the making of "The Green Promise," a 1949 movie in which there was a scene where an eleven year old Natalie is supposed to cross a creaky bridge in a awful thunderstorm. The bridge was eventually supposed to collapse and send Natalie into the water, but she was supposed to be quickly fished out afterwards. During the actual filming, the bridge collapsed prematurely and she was sent into the dark water with wind blowing from the machine in every direction. She held onto the edge of bridge while the cameras kept rolling, as the director requested them to be (he was getting "good footage" for the scene). Natalie nearly drowned, and she broke her left wrist due to the accident. Her mother was afraid of doctors and being blacklisted by the studio, so she never took it to get set in a cast and it grew back deformed. Natalie, pressured to be perfect by her mother, was disgusted by this deformation and always covered her wrist with a thick bracelet while in public. She called it "The Badge."

Her fear for water never faded, though. Apparently on the set of "The Star", in which she played Bette Davis's daughter - this was about a year so later - they called for an impromptu scene for Natalie to jump in water and swim a selection. She apparently started crying and howling so loud, "you could hear her all the way in Catalina," and Bette intervened by saying if they had "wanted a swimmer, they should've gotten Johnny Weissmuller!"

She would marry Robert Wagner twice. The second time around, he introduced her to boating and she discovered she could find inside of her a kind of affection for the water. However, she liked it best when she was inside a yacht and away from the actual water. She and RJ even married the second time on a boat. It wasn't long before they bought one of their own, calling it the "Splendour", after the 1961 movie she'd made with Warren Beatty, Splendor in the Grass.

Natalie, RJ, and her two daughters, Natasha and Courtney, spent a lot of time on the Splendor. I'm currently reading the book "Goodbye Natalie, Goodbye Splendour" a book focusing on her drowning written by Marti Rulli with the help of Dennis Davern, the skipper on the Splendour who is the cause for the recent reopening of her case. The book does a good job of depicting regular days on the Splendour: with Natalie sitting on her windowseat, nicknamed "Natalie's perch," sifting through scripts she had been offered, sketching pictures of her daughters, and dancing to Bobby Darrin while RJ and her daughters splashed around in the water she was sure to avoid. 

A number of celebrities would visit this boat and spend weekends there. The boat was Natalie and RJ's pride and joy, and they liked taking their friends on trips in it.

In the latter part of 1981, Natalie was working on what she hoped would be her "comeback film", a sci-fi flick costarring Christopher Walken entitled, "Brainstorm." The shooting was being done in North Carolina and she was nearly done when Thanksgiving rolled around. She went back to California to spend Thanksgiving with her family - Thanksgiving dinner was spent at sister Lana's house - and so did Chris Walken. RJ, Natalie, and Walken made plans to spend the weekend following Thanksgiving on the 
Splendour, taking a trip to Natalie's favorite vacation spot: Catalina Island.

The weekend was ill fated from the start. Natalie's eleven year old daughter, Natasha, begged her mother not to go on the boating trip for she was afraid something would happen to her - an eerie foretelling that would unfortunately come true. Natalie loved her daughters very much and almost submitted to staying, but the others told her that her daughters needed to learn they couldn't always get what they wanted, etc., and not to spoil them. So they went: Natalie, RJ, Christoper Walken, and the skipper, Dennis Davern, for a weekend on the Splendour.

The weekend was a stormy one from the start. Natalie and RJ began getting into arguments over moving the boat to a particular location, whereas beef began to accumulate between RJ and Christoper over Natalie's career. Walken was encouraging Natalie to devote more time to her career. Rumor has it RJ was also spited because he was suspicious of Natalie and Walken having an affair, but there is no evidence to prove that this is true. Natalie and RJ argued the night of Friday, the 27th. That night Natalie spent at a hotel. But by the next morning Natalie was in a better mood, back on the boat, and cooking Spanish eggs for the group.

Saturday, the 28th wasn't much better than the day before. That night the group went out for dinner at Doug's Harbor Reef, a beachy cafe in Avalon, city on the mainland. This was where Natalie had her last meal and where the trouble would begin. The three of them got a table with Dennis Davern back at the boat. During the course of the evening, Natalie would happily sign autographs and take pictures with fans. One witness even walked in the women's bathroom and found Natalie braiding and combing the hair of a young girl. 

During this night, the three also drank excessively and were pretty much drunk by the time they returned to the boat, stumbling across the dock. Once they settled back inside, Walken and RJ picked up a fight. The argument's exact source is not known but it was likely over Natalie's career or so. RJ - and he would admit to this - took a liquor bottle and smashed it. Natalie got up and retired to her stateroom. Walken and RJ settled a truce and RJ retreated to the stateroom he shared with Natalie. Davern now strongly insists that he and Natalie fought in that stateroom, nearly violent fighting, and that is what Davern attributes to Natalie's death.

The rest of the night is fuzzy, and here is where the different stories seem to come into play. RJ remembers going into Natalie's room later and not finding her. In his autobiography, he claims that he suspected she took the dinghy out "which she often did at night", but when she had still not "returned" an hour later he became nervous because he knew Natalie was "scared of water." He totally contradicts himself within a few sentences. It's obvious to many however that Natalie, someone so afraid of water, would not have taken a little boat out into dark water in the middle of the dark night.

The most common explanation was that the dinghy was noisily hitting the side of the boat as it often did, and Natalie shuffled out to try and tie it up. Apparently when she did, she fell out of the boat, hitting her head and becoming unconscious. But there are so many things to contradict this story, too. She couldn't have been completely unconscious because the Wayne family, on a nearby boat, swore that they heard the shouts of, "Help me, I'm drowning, I'm drowning!". They tried to respond to the shouts but were unsuccessful in getting a response.

RJ would wait a full four hours before alerting the Coast Guard, and the official search for his wife did not begin until about six or so the morning of November 29th, nearly a full seven hours after she'd first disappeared. Her body was found in the "White Cove" of Catalina. Her eyes were open, she was floating upright, held afloat by a red down jacket that she wore. Underneath she wore a nightgown and socks. She wore four rings, the tag necklace she always wore, and a bracelet: but not "The Badge", the one that she always wore when going into public, which meant she had not intended to be going into public. There were some twenty bruises on her body. The dinghy was found before her, switched off and silent with scratch marks on the sides of the tiny boat. 

The case of her death was closed ten days later after brief questing with the three other parties on the boat that night. Now it is reopened, due to Dennis Davern, who claims he has the real truth of what happened to Natalie that night, and insists he lied to investigators thirty years ago.

Honestly, I don't think anyone really knows what happened that night but Natalie. The whole event and the way it unfolded is eerie and so suspicious: especially considering this was Natalie's very worst fear, what her mother had predicted she would die from. Each story contradicts each other. In the book I am currently reading, the author claims Dennis Davern was very close to the Wagners and did minuscule tasks for them all the time: so he certainly wouldn't have minded tying up the dinghy if had been banging against the boat that night. Also, the dinghy would have been quite loud and everyone on the boat would have heard it motoring up, so how could RJ's first reaction be that his hydrophobic wife had taken out the little boat to the mainland?

The only thing I can say to it all, is that I hope with the reopening of her case justice will be served for her and her story.

I think if Natalie hadn't drowned that night, she would still be with us. I think, perhaps, that she would have made a comeback movie, whether it was "Brainstorm" or another film. I think that maybe she would eventually have won the Oscar, or at least an honorary one. It's a big injustice I think that she never did, for she was nominated three times! Maybe she would have even written an autobiography, for she was starting to when she died. She had only just finished the first chapter.

Her life was left uncompleted, taken by her greatest fear, and I think that's honestly one of the very worst things that can happen to a person. (Well, obviously, you'd think death would be one of the worst things!). 

Why do I love Natalie, and what I do I remember most about her? On this thirtieth anniversary of her death, I remember:

05. What a wonderful actress she was, and the awesome movies she made and the characters she portrayed.
04. The energy she put into the art she preformed. She once said, "If I didn't believe in what I'm doing, I'd rather go to work in a dime store."
03. Her gorgeousness.
02. Her wonderful sense of humor.
01. Her love for her family and her daughters.
00. Her kind personality and her passion for life.

Now, as if I haven't already written enough and congratulations if you're still here with me, some photos. Natalie must've been one of the most photogenic people EVER. I have not seen a single bad photo of her, and there are so many wonderfully awesome photos of her too. It's hard to just pick a few, ever!









"You know what I want? I want yesterday..."

Just a small selection of the favorite Natalie pictures I have saved on my computer. Seriously, she had the best photos EVER.

If you'd like to check it out, here is the video I made for her on this particular day.

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That's all for today. I'll probably be back tomorrow, because it's Lucy and Desi's wedding anniversary. :P

Ciao!