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Thursday, April 26, 2012

Lucy Remembrance | 1911 - 1989

Today marks the 23rd anniversary of the day Lucy passed away.


Lucille Desiree Ball 
AUGUST 6TH, 1911 - APRIL 26TH, 1989


I'm always more then a little upset on this day. Some may think it's a little bit pathetic to be genuinely sad on the anniversary of your favorite actress's birthday, but I could care less what others think. Lucy, to me, is more than "my favorite actress." She's one of my role models, one of the human beings I admire the most, and having loved  her ever since I was nine I feel like I know her. It's more personal than someone could imagine from the outside looking in.

My love, respect, and admiration for her is something that's hard to explain. I'm going to try to put it into words the best I can. When I see her on the screen, whether it's in one of her brilliant television shows or a not-so-good B movie from her RKO days, she just makes me want to smile. It's the way she is on screen, how happy she seems to be there to entertain you and she's enjoying it. When I watch Lucy, I know she "gets" it. She's not just acting for a paycheck, she's doing it because it's an art, and she understands that and respects it. 

Perhaps it's because she had to work so hard for it. If anyone knew what it means to persevere, it was Lucy. When she was fifteen, her mother managed to put aside enough money for Lucy to start establishing herself as an actress by entering a dramatic school. But the school didn't like Lucy. They were already enamored with their star pupil, somebody named Bette Davis, and they sent Lucy home, telling her mom, DeDe, that she was "wasting her money." Can you imagine how Lucy might've felt after that? I would be hurt, and I would feel like it was all over. But not for Lucy. She was determined and she got into the business anyway.

When she was in New York pounding the pavement, she took a job modeling at Hattie Carnegie's so she would have money to eat. She became so overworked she was terribly sick and sent home by Hattie herself. They discovered she had a crippling arthritis, and for a long time Lucy was in bed. She had to learn to walk all over again. She was in her 20's when this happened, on the brink of everything, and I can imagine how much of a setback this might've felt like. As everything had been derailed. But she was a fighter, and she dealt with it, and she did it. She learned to walk again, and she returned to New York, and her job, and eventually became one of Sam Goldwyn's girls in a chorus line - and made it to Hollywood.

But even upon getting there there was numerous setbacks. When she finally started to get leading roles, they were all B movies. One after the other, real turkeys, when, looking back, Lucy is the only significant actor. One of the main reasons was because a important producer had wanted to leave his wife for Lucy, but Lucy refused to do so despite the benefits it would have to her career. She knew the man had kids and she couldn't stand to see the children be hurt. Despite her refusal, his wife find out about the offer, and blacklisted Lucy's name throughout RKO. (It is said the producer might be Pandro S. Berman).

But she pushed on. Even her marriage to Desi is an example of her determination. I love the two of them together so much, as you all know, but even I can't deny that that marriage had serious problems. Yet she continued to try and make it work for twenty years, which is a long time, especially in Hollywood. Many have noted how loyal Lucy was. She kept the same housekeeper, nanny, driver & hair stylist for decades. I think in the similar way she was loyal to people, she was loyal to her acting projects. This made her a perfectionist, and, for some, hard to work with - but Lucy was a woman who gave it her all, and continued to do so even after she became a star. I have so much respect for her because of all of this.

Lucy is underrated. No, I'm not kidding, she is. Sure, she's definitely largely appreciated for her comedic talent, anyone with a sane mind will admit that. But she is underrated for many other things: her dramatic ability, for one. She wasn't just a comedienne, she was an actress. Watching her in roles pre I Love Lucy will show you this. As I said before, many of these are terrible films, but these varied roles show off Lucy's incredible talent as an actress. I hated The Big Street (1942), and yet the same time I can appreciate it because of how amazing Lucy is in it. Her role is unlikeable, a total b*tch to be honest. And yet I'm glad to see her in this steel cold role. It shows how well she could do drama, and she really could do it wonderfully.


People never take note of the fact of what a versatile actress she was. When she was a B movie star, she was put in all types of movies: comedies, dramas, film noir, musicals. Yes, even the latter, though she couldn't sing. And even though oftentimes the script was terrible and her co-stars not that great, she made the best of it, and in the end she always shone.

Besides this, she's underrated for her beauty. Because she was a comedienne, people choose to ignore this fact all the time. But as Bob Hope said at the 1989 Emmy's, "she had a beautiful face, made for comedy. Nobody looked better with a mouth full of peanuts or a blouse full of chocolate." Or, as Desi put it, "She could preform the greatest physical comedy without losing her feminine appeal." The writers of the show, Madelyn Davis and Bob Carroll, called Lucy a "beautiful clown". In her autobiography, Davis wrote that this made Lucy blush but it was indeed true - even when she was wearing a baggy suit, battered top hat, and big funny shoes, she was still beautiful.


Still, above all this, comedy was indeed her greatest talent. It was just a part of her and I think it always was. When she was a kid, she used to go to vaudeville shows with her grandfather and admired the ability the comics had to make the audience keel over in laughter. She wanted to be able to do the same thing, make people laugh, and she indeed had that gift. She was excellent at physical comedy and made the most wonderful facial expressions, but those were just assets. She didn't need them. She could be funny even with her voice - just listen to any episode of My Favorite Husband, the 1940s radio show that eventually became what we know as I Love Lucy on the small screen.

Every time I watch her in an episode of I Love Lucy, I'm just in awe of her comedic talent. Just the other day I was watching, and taking awe of her brilliance as a comedienne. That's really the word for it. Honestly, Lucy Ricardo gets into the wildest, wackiest situations that are in many ways reminiscent of screwball comedy. Hilarious but unlikely. But I think a part of what makes I Love Lucy so funny is that Lucy played her character so that she was genuinely believable. Even as he was drunkenly trying to sell Vitavetavegamin or stuffing chocolate down her blouse in a mad hurry, you could believe it. It's not things that you could imagine actually happening to you, but perhaps it was the little things that made it seem that these situations were realistic.

Take the scene from the episode "Lucy Does the Tango." Lucy has eggs stuffed down her shirt because she's trying to hide them from Ricky. He wants to practice the tango they're going to do for Little Ricky's PTA, which ends in a dramatic move where Ricky spins Lucy out, then throws her back in and crushes her against him. But her shirt is full of eggs! She does the routine, anticipating what's going to happen in that fateful final moment all the while. It does indeed happen, and the eggs smash and her blouse is dripping with yolk. As Ricky stares at her, his eyes bulging, while Ethel cringes and the audience roars with laughter, Lucy crosses her arms over her dripping shirt and tries to look casual, as if anyone could have eggs stuffed in their shirt. That little motion made the scene altogether funnier, and, believe it or not, realistic. This was the scene that contains I Love Lucy's longest laugh: 65 seconds long.

The other day, Bette wrote a post about what it's like to rediscover just how wonderful your favorite star is. I mean, you know that you love them, but then there are sometimes these moments that remind you just why they're your favorite. And with Lucy, this happens to me all the time. Just seeing a picture or reading a piece of trivia puts a smile and reminds me just how much I love this lady.

Lucy loved and greatly admired Diane Sawyer, which is ironic because I always tell people I "want to be Diane Sawyer when I grow up" (I love journalism). She never met her, but when she died her family and friends sought Diane for her eulogy, and she complied. It was titled, Is There Laughter in Heaven? Diane herself answered this question in the eulogy: "I believe that there is laughter in heaven because Lucille Ball is there."

So every year on this day, I try not to be upset but instead smile. We may no longer have her on this Earth, but thanks to I Love Lucy, she will never ever be forgotten. Each generation is discovering her just as audiences did in the 1950s. And it may sound like a cliche, but heaven really did get an angel that is making everyone 'upstairs' laugh until their stomach hurts. It's something to smile about indeed.

Each year on this day, I think of it as another full year that there has been laughter in heaven.


"Yes, you are the one that they love the most Lucy. Joy requires no translation. God wanted the world to laugh - and he invented you, Lucy. Many are called, but you were chosen."

- SAMMY DAVIS, JR.

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I made this for her, too, if anyone is interested. 

Is there anything you love about Lucy the most?

Sunday, April 22, 2012

Sunday Movie Review: "Hands Across The Table" (1935)

Yes, I am alive, and yes, I haven't fallen off the face of the planet!

I know I was supposed to do a SMR last Sunday, but I was way too busy, I had a nasty cold, & so I missed it. So yes, it's been three whole weeks since I've done a review but here I am this Sunday with one & I assure you it was a really great film in fact, so hopefully that'll make up for my screwing up the SMR schedule. And for not writing in like, nearly two weeks, which isn't a very long time for most bloggers but then this is the girl who used to write like every single day. I do miss that. ;) 

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HANDS ACROSS THE TABLE (1935): Cast, plot details




Hotel manicurist Regi Allen is a cynical golddigger who meets her match in Theodore 'Ted' Drew III. After a date with Ted, she lets him sleep on her couch when he's too drunk to go further; but what is she to think when he wants to extend the arrangement? [from IMdb]

  • Carole Lombard as Regi Allen
  • Fred MacMurray as Theodore Drew III
  • Ralph Bellamy as Allen Macklyn

THE VERDICT:  ★★

This is a charming romantic comedy starring two of the experts on the genre, with plenty of both funny & sentimental moments. Give it a watch.

I really enjoyed this mostly light, sentimental romantic comedy! I mean, it's not one of my new all-time favorite films but I had fun watching it and laughing at all of the punchlines. It was a film that really did put a smile on my face. I recently bought The Carole Lombard Glamour Collection box set which contains six films (and I got it  for about $10, isn't that incredible?), one of which is this and I'll be pleased to own it because I did really like it.

Carole Lombard is right at home with this type of comedy; not exactly screwball in this (though that is, of course, what she is the queen of) but still really funny. It was one of greatest Carole's assets, her ability to make even small actions seem hilarious. Like, for example, there's one scene in which she tries to wake up Fred MacMurray by loudly shaking a teacup. So yes, if you need just one reason to watch this film, it's Carole, because she's just adorable and lovely as always in this.

Fred MacMurray has great chemistry opposite her. As we all know, he can do drama wonderfully (a la Double Indemnity), but I also enjoy him in his fluffy roes and this is one of them. He and Carole doing comedy together are so wonderful! They had a few other pairings and I don't think I've seen any of them (or I might've & I'm just blanking right now), but I'll definitely be looking forward to watching them now. Ralph Bellamy plays as he always does, the man who doesn't get the girl, and you can't help but feel especially sorry for him in this because he's wheelchair bound. 

Maybe the plot isn't thrilling or original, but the stars really make it shine. I was kind of surprised that the censors okayed the idea of Carole and Fred's unmarried characters sharing an apartment (because Fred's fiancé thinks he's in Bermuda, except he missed the boat because he got drunk after a date with Carole and landed up on her couch, and well - well, it's hard to explain), even though during Fred's stay there are uninvolved and Fred sleeps on Carole's couch. Oh, well, I really liked this movie, it was charming & fun & light and you should definitely give it a watch!


PHOTOS & TRIVIA






  • Samuel Goldwyn originally wanted Miriam Hopkins for the Carole Lombard role, but she was unavailable
  • Gary Cooper was the first choice for the Fred MacMurray role


A MOVIE TIDBIT


You can also find the whole movie on Youtube.




***

That's all for this Sunday, and once more, I apologize for messing up the SMR!

Also, the poll closed sometime ago. Ingrid won by one vote, and I do believe I will actually write a post about it, that should be up in a week or so, as I already have something planned for this week.

See you soon! :)

Wednesday, April 11, 2012

A Tribute to Deborah Kerr



"She has made forty-four movies. Light romances and dark ones. Epic adventures and costume dramas. Comedies and even one of our most beloved musicals. She played nuns and nannies. Nice ladies and occasionally ladies that weren't so very nice - but always a lady... In a singular way, she combined warmth with elegance, passion with patience, common sense with uncommon wit, great strength with even greater vulnerability."

- Glenn Close speaking of Deborah Kerr at the 66th Annual Academy Awards

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{my GIF}
I think that quote from Glenn Close pretty much sums up the cinematic career of Deborah Kerr. I don't think there was a type of movie that Deborah didn't try her hand at. 


So it's strange that, before I became such an aggressive viewer of her pictures, I always thought that Deborah Kerr played delicate English ladies who never said a word out of place or ever stepped a toe over the line. Ladies that were prim and perfect. It wasn't that there is anything wrong with this type of a character; and, in fact, it happens to be just the type of character I myself would enjoy. But for a long time I had been keep myself deprived of the marvelous array of other roles Deborah played. 


Glenn Close was right in saying that she was "always a lady", despite the most well, dangerous, of roles she tackled. Tea and Sympathy (1956), for example, in which she plays an American wife with much lying under the surface who feels compelled to give one of her husband's pupils more than a little tea and sympathy. Or The Proud and the Profane, of the same year, where she must pull herself together and keep her dignity despite the scandal she suffers with William Holden. And in Heaven Knows, Mr. Allison (1957), a nun who begins to feel burgeoning attraction for Robert Mitchum when the two are stranded on an island together whilst World War II rages!


Can you imagine playing those roles in the 50's? Whenever I read the plots for these movies and then go into watching them, I can't help but wonder how on Earth Deborah is going to play these characters and 'get away with them.' But, oh, if you were to see her in these roles you would understand why the Hays Code Office could not make an objection. These characters, no matter what they do, or at least, where their thoughts may stray, were always ladies because Deborah played them in that way. And, I think, because she transformed these characters into ladies is why they were sympathized with and accepted and beloved by audiences in the 50's.


All of the above is an attest to how good of an actress she was. I don't think there was a role or a performance which she was afraid of. I don't really think there was a role that she could not play.


If anyone has been keeping up with the list of films I've been seeing this year, you might have realized that Deborah Kerr is the actress I have seen the most of. So far I have seen eight of her movies and not once have I been disappointed. I feel as if I've been missing out on a lot. It wasn't like I didn't like Deborah; I certainly did, and I enjoyed her in movies like An Affair to Remember (1957), which is one of my favorites, and The King and I  (1956). But I don't think I really got to know her as an actress until these past few months.


Behind this marvelous actress is a lady, a person, who I hold in equal standard to that of the actress. It's a travesty that there is not a in print, decent biography about her. The moment one is written I can't wait to get my hands on it. There are so many interesting stories I've read about Deborah. Like, how, on the set of Heaven Knows, Mr. Allison (1956), her co-star Robert Mitchum expected her to be dull and delicate. Then she cursed out John Houston after one of the takes went awry, and Mitchum nearly drowned himself laughing!


And then there is the diary she kept while filming The Night of the Iguana (1964), with Richard Burton, Ava Gardner, & Sue Lyon. Here are some of my favorite passages from the 'Days and Nights of the Iguana' by Deborah:
OCTOBER 30: A really unbelievably lovely morning. I enjoy this breath of air each morning before work and again at the end of the day – it’s a godsend. I think the reason I get so tired working in a studio is the total lack of fresh air. Lunch wasn’t called until one-forty-five, so we were all very hungry. Elizabeth adn Richard had brought hamburgers (flown from somewhere exotic and healthy) complete with cheese, onions, and tomatoes and they asked Peter and me to join them. The hamburgers were delicious. Elizabeth also had a huge jar of Boston baked beans, which we delved into as if we had never eaten beans before in our lives. After a constant diet of fish and guacamole they tasted wonderful. We rehearsed a long and complicate shot after lunch, but we weren’t able to get it in the can, so it will be the first shot in the morning. I was glad to be through. Ava and I will meet at the beach at seven in the morning – her call is the same as mine so we can whizz out together in her speedboat. Elizabeth and Richard gave us a ride home in their boat which is christened Taffy. She is such a generous, sweet woman, friendly and warm and impulsive, and the Welshman kept us all laughing all the way back to Puerto Vallarta.
Perhaps this bit, too, about Ava Gardner & eating raw fish in Mr. Allison -
NOVEMBER 1: Met Ava at ten-to-seven at the beach. She was going to water-ski over to work, but by the time the boats were all organized it was a little late and she decided not to. But she swam out to the speedboat nevertheless. She has the strength of an ox, that girl! We sped across, the sky quite marvelous, with the moon still vivid on the horizon to the west and the sun rising in the east, and the water like flat syrup. It was a long day – Richard and I didn’t finish till six o’clock, which is later than we usually work here. but we must have done about four pages. We had some long waits for difficult setups, and Ava and I filled in the time rehearsing the long scene in the kitchen we have together. It-s a difficult one for her – masses of “black stuff” – and I have to decapitate and clean fish! Always seem to have  something strange to do with fish when I work with John. InAllison, Sister Angela has to eat raw fish – it’s all there was. I remember that the prop man had anchovies for me to eat, but John said it didn’t look like real raw fish – and in any case after a few 2takes” I was dying of thirst. So I ate raw fish. At least I got the expression of controlled disgust correctly.
The whole diary, actually, is just exciting to read, especially if you've seen the movie. Deborah's opinions on everyone & everything, most often favorable of her colleagues, which I'm happy to read as I love Elizabeth & Ava. 'The Welshman', or Richard Burton, on the other hand, I have a different taste for but Deborah seemed to like him too. ;) 


Deborah also shared stories about other movies she made, like this one about An Affair to Remember (1956):
Don’t ever kiss Cary Grant. He tickles! During many of poignant love scenes in An Affair To Remember I had a terrible time keeping a straight face. Cary was supposed to hold me tenderly but each time he put his strong arms around me, he would give me a little tickle under the ribs. This would start me giggling like a school girl, but Cary kept it up until I was almost exhausted. We were the despair of the director and the cameraman. 
Each time I’d screw up my face and take a deep breath because that would prevent me from laughing. Somehow we managed to get through all but the final love scene. Director Leo McCarey said, “Now in this one, Deborah, I want you to show all the tenderness you feel for this man. Okay,” he said to the crew, “roll ‘em”. I held my breath, but I could feel Cary put his arms around me tighter and then, in pure mischief, he started to slide his hand toward my ribs. Very slowly. I knew the tickle was coming. But when! It was a torture! But I held on so hard, that the tears came to my eyes. Finally, the director said, “Cut!” then he turned to me and said, “Deborah, that was wonderful.”
But I was so exasperated with my leading man that I didn’t realize I had just been paid a compliment. Instead, in a high shrill voice I said: “For heavens sakes, Cary, will you tickle me and get it over with?”
Plus there is that adorable face of Deborah's. Look at this expression from Mr. Allison:



[via]

Now, how is that not adorable? tell me??!!!

This post is getting kind of long, so I guess I'll wrap it up now. What you read was basically a rambling but still extremely affectionate tribute to Deborah Kerr, the utterly amazing actress robbed of a proper Oscar, a flawless human being & one of my favorite stars easily. 

PS: Have any of you readers heard of something called the No Bull Challenge? It's a project encouraging teens to help combat cyber-bullying by making short videos about the topic. My friend entered one, and maybe if you have a second, you could check it out & give it a vote; or check out the other videos and vote for which one you like best! Though having never been cyber-bullied, being a blogger, it's still an issue I feel close to and I think we can all help stop this aggressive form of bullying, even in small ways. :) 

Monday, April 2, 2012

Guest post at "Waitin' on a Sunny Day"

Why, hi hey hello readers, it's me again! I know! So soon!

Anyways, this is just going to be a short post to let you know I have a (my very first!) guest post up at Sophie's lovely blog, Waitin' on a Sunny Day. Sophie's blog is incredible and one of my very favorites so if you're not already following it (but I can't imagine that you're not), go ahead and do so! And her favorite actress is Deborah Kerr - perfect Deborah, have I mentioned my obsession with her lately? - which should hint at how lovely her blog is.

I've contributed to her awesome Box Set Monday series; the series is basically to craft a six movie box set for an actor or actress that doesn't already have one, and I've made one up for the fabulous, gorgeous, pretty-perfect-and-I'd-watch-her-in-anything, Ingrid Bergman. In fact, Ingrid does have a box set - alas, a box set with three of the movies she made in Sweden in the 30's. I actually just bought the box set and am working my way through it, and while it's fun to see her in these films, I truly wish that there was a complete box set with the best of the films she made in her prime. And if you'd like to know which movies I would like for such a box set, check out the post at Sophie's blog! 

{My Gif / I didn't have time to watermark so please don't steal! :)}


See how excited Ingrid is for you to check it out? :)

Well, that's it for today. Thanks so much, Sophie, for giving me the opportunity to guest post on your lovely lovely blog! :)

PS: Ingrid vs. Greta Garbo? You can vote in the poll; a few votes are already in and they seem to be in Ingrid's favor, but if you'd like to contest that, vote for Greta today! (Haha, how cheesy does that sound? :D)

Sunday, April 1, 2012

Sunday Movie Review: "The Rainmaker" (1956)

Hey, guys, today I've got a review of The Rainmaker (1956) for you all - and I'm sorry to say I didn't like it all that much!

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THE RAINMAKER (1956): Cast, plot details

Flimflamming his way through the drought-plagued Southwest, Bill Starbuck (Burt Lancaster) promises -- for $100 -- to bring rain to farmer H.C. Curry (Cameron Prud'Homme). But Curry's spinster daughter (Katharine Hepburn) remains dubious about Starbuck's guarantee until he works his pitchman charm on her. [from Netflix]
  • Katharine Hepburn as Lizzie Curry
  • Burt Lancaster as Bill Starbuck
  • Wendell Corey as Deputy J.S File
  • Lloyd Bridges as Noah Curry

THE VERDICT: ★★

This movie has wonderful actors and a plot with substance, but the matter in which it is executed results in simply a ridiculous romp you weren't really expecting. Maybe give it a watch.

I was expecting this to be one of those "a spinster falls madly in love for the first time" kind of movies, which it sort of was, but then it wasn't.

The plot sounded pretty interesting to me, and then, of course, Katharine Hepburn - Kate Hepburn is a good enough reason to watch anything - so I was really excited to see this. So I'm very sorry to find that it didn't really live up to my expectations.

Let's start with the acting. As always, Kate Hepburn is perfect - no really, I couldn't hate Katie in anything - but truly. I like her character, because I like spinster characters, and Lizzie Curry was definitely one. Kate is brave and spunky, and it's really all her movie, despite the title. It's nice to watch her transform from the insecure spinster sister who has accepted the fact she's a "plain Jane" into a woman who knows how beautiful she is. She was Oscar nominated for this and her performance is one of, or perhaps the best, attributes to this whole film. 

Burt Lancaster is a little over the top as a rainmaker, but in his defense, Bill Starbuck is a wildly whimsical character and so I guess the only way you could play a role like that is to overreact. Wendell Corey and Lloyd Bridges were okay, but they were mostly props for Lizzie Curry and Bill Starbuck and don't really have the opportunity to do much. As a comic relief, Earl Holliman plays Jim Curry and he was entertaining to say the least.

The whole movie was very stagey and very talky; for that matter, it was based on a play, but plays can be easily transferred to the screen without feeling like you're watching a filmed stage performance - which was what this felt like. The whole movie takes course over one night that seems to go on forever, and so much happens within what really should be a short time frame, it just felt ridiculous. Lizzie & Bill's relationship seems pretty much frivolous and at the end of the movie you're not sure if you watched a melodrama or a comedy or what anymore.

Too bad, I really thought that this was going to be a good movie. The pros are pretty much the two main characters, Lizzie Curry & Bill Starbuck, which are just entertaining roles to watch. And then another pro is Katharine Hepburn, of course, and it's also very visually appealing. But otherwise I can't think of much else that I liked about this movie.


PHOTOS & TRIVIA 






  • Paramount originally wanted William Holden for the role of Bill Starbuck
  • Bing Crosby wanted the role of Bill Starbuck
  • Elvis Presley tested for the role of Jim Curry

A MOVIE TIDBIT

The whole movie's right on the tube of You -


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New poll open!! It will be open for two weeks. The question is: Greta Garbo or Ingrid Bergman? Basically I want to know which Swedish actress you like best. Please vote, I can't wait to see the results, and hopefully I will actually do a post about the results this time! :)