Frankly, My Dear, Search This Blog

Showing posts with label Greer Garson. Show all posts
Showing posts with label Greer Garson. Show all posts

Sunday, September 30, 2012

Happy Birthday, My Favorite British Dames | Deborah, Greer & Julie

I'd first like to apologize for having disappeared into thin air for nearly three weeks! In that time, I missed a blogathon I'd promise to write an entry for, several SMRs, and also consequently reached 100 followers! (As of now, it's 101 - it could be apt to change if I lose one or two but anyways, this is my first time reaching this milestone!) I'm sorry I haven't been around as of much - it's just one of those terrible times when real life gets in the way of blogging, you know? I'll have a little note about the SMRs at the end of this blog, but most importantly I want to give a big THANK YOU ♥ to all 101 of you that follow me. It really does mean a lot to me, and hopefully when I have a little more time on my hands I can come up with a more creative way to celebrate making it past 100!

***

As it so happens, three of my favorite actresses have birthdays three days in a row! How wonderful is that? (Albiet exhausting, most definitely.) I felt that bombarding you with three birthday posts in a row would be a bit too much (especially seeing how that would come after my being M.I.A. for so long), so I'm combining it all into one post. (I chose this date because's it's the middle one.) 

The three actresses are: Greer Garson (September 29th), Deborah Kerr (September 30th) and Julie Andrews (October 1st). Interestingly enough, all three British dames are actresses that I finally come around to truly appreciating within the last year. Needless to say, I now adore them to bits and find them all pretty much perfect.


Greer Garson
(SEPTEMBER 29, 1904 - APRIL 6, 1996)

I think the mirror should be tilted slightly upward when it`s reflecting life -- toward the cheerful, the tender, the compassionate, the brave, the funny, the encouraging, all those things -- and not tilted down to the gutter part of the time, into the troubled vistas of conflict."
Greer Garson, my beautiful bonny daisy. I fell in love with her nearly a year ago, after watching Adventure (1945). To say that Adventure is a perfect movie would be an overstatement, but I will always love it because it introduced me to Greer. Instantly, I loved her: her voice, her smile, her refined acting. I wouldn't be lying if I say I have very nearly seen everything Greer was in, and I worked my way through most of her films within a couple of months. I couldn't get enough of her. Despite having won an Oscar and having been nominated countless more times, Greer is an actress that isn't as well remembered as she should be today. She brought real vitality to her performances, which she combined with sweetness and warmth and a particular sensitivity. It's impossible not to sympathize with a Greer Garson character. Gregory Peck once described her as "all woman", and she was: radiant, funny, and brave. Greer Garson should be every lady's aspiration and every girl's heroine.

After reading her biography, I came to the conclusion that Greer Garson might also very well be one of the most likable people of all time. It seems that her real life disposition wasn't a far cry from the image she projected on screen. My favorite personality trait of hers was how she was famous (or maybe infamous) for talking nonstop! The speech she gave when accepting her Oscar for Mrs. Miniver (1942) is the longest in the history of the Academy Awards, a whole five minutes long where she has been said to have thanked everyone from the doctor who brought her into the world to the film's production crew. (Needless to say, the following year the Academy instilled a forty second limit on speeches which is even more greatly enforced nowadays because the event is televised).

Greer was the biggest box office draw of the World War II years. From the start of the era, she won the hearts of moviegoers with her most famous role as the endearing, resilient Mrs. Minivier, who soon enough became a model for combating the war to American & British women alike. She was just what both countries needed at the time: a little hint of sunshine and spirit that was a reminder of what we were fighting for. Happy birthday, my bonny daisy.

Deborah Kerr
(SEPTEMBER 30, 1921 - OCTOBER 16, 2007)
I'd like to be remembered as a good actress, but above all, as a good human being."
Deborah Kerr, is, to me, the most versatile actress in films, then or today. I don't think there was a role that Deborah couldn't tackle and make her own, or a character that she failed to lend her own touch of ladylike gentility to. (Glenn Close was correct when she said that Deborah played "nice ladies and not-so-nice ladies, but always ladies.") She rolled around in the sandy surf with Burt Lancaster in what is remembered as one of the sultriest kisses in movie history in From Here to Eternity (1953). She was center stage in one of Hollywood's most beloved musicals in The King and I (1956). She also played a nun that Robert Mitchum couldn't help be immorally attracted to in Heaven Knows, Mr. Allison (1957), a haunted governess in the creepy The Innocents (1961), and the newspaperwoman Sheilah Graham in Beloved Infidel (1959). She gave into her feelings for a younger man in Tea and Sympathy (1956), became illegitimately pregnant with William Holden's child in The Proud and the Profane (1956), and even briefly appeared topless in The Gypsy Moths (1969).

Can you imagine playing roles like those in the 1950s while still maintaining a ladylike reputation and public respect? It's needless to say that Deborah could do it all, and I don't think there was any role she wasn't afraid of. The biggest atrocity in movie history is that she never won an Oscar, because of any actress truly deserved one, it was her. So many of her movies and so many of her performances are among my favorites. She's always a joy to watch, and absolutely gorgeous. That red hair and that perfect dimpled nose. There's a story that goes that a woman once approached Deborah inquiring about the doctor who had done her nose for her. In her polite manner, Deborah informed the woman that her nose was, thank you very much, quite real.

"She is warmly human and sympathetic and possessed of a humor that ranged from the subtle to the downright wicked," said her good friend Robert Mitchum, who considered Deborah his alltime favorite actress and 'the only leading lady he had a strictly platonic relationship with.' One of my favorite stories about Deborah is in good attest to that quote. It was during the filming of Heaven Knows, Mr. Allison and Deborah was in a canoe rowing a boat. "Faster, row faster!" the film's director, John Huston was constantly shouting. Finally, the intensity of Deborah's rowing resulted in the oars splitting into half in her hands, and in her soaked nun's habit she yelled, "Is that f--king fast enough?" Mitchum laughed so hard he nearly drowned.

 Julie Andrews
(OCTOBER 1 1935 - )
 Perseverance is failing nineteen times and succeeding the twentieth." 
The only thing, in my opinion, that Julie Andrews hasn't been yet is Queen of England (and if you ask me, she should - after all, she's already a Dame!). Jools is Maria Van Trapp, Mary Poppins, Cinderella, Eliza Doolittle, and the Queen of Genovia. It could probably be statistically proven that most people's childhoods are spent much of the time with Julie Andrews.

Jools is quite honestly the sweetheart to end all sweethearts - "I'm so sweet sometimes even I can't stand it!" - but what I love about her is the less wholesome side of her. Let's it face it, no matter what she does Julie will never be able to shed her General Foods image, because to us she will always most prominently be Maria twirling on the hill or Mary Poppins powdering her face with chimney ashes. 'Wholesome' will forever be the word associated with her, used most often to describe her, and the word she hates most (she's been quoted as saying so).

But there is definitely a side to her that's a little less sweet and a bit more, I guess you could put it, raunchy and that's one of the main reasons I love her. I didn't discover that not-so-lily-white side to her until I became a true fan of her within the last few months, and once I learned about this I couldn't get over how fabulous she is. It's that part of Jools that swears like a sailor, appeared topless in S.O.B. (1981), and as a cross dresser - "a woman, pretending to be man, pretending to be a woman?" - in Victor/Victoria (1982).

(Please, if you will, pardon the swearing that appears here :D) Once, when she appeared on Jay Leno's show, he told her that her best friend, Carol Burnett, had once told him that she could "outcuss anybody." Julie's reactions to that were of shock. She dropped her jaw and turned to the audience, "Me? Me?" "I couldn't believe it!" Leno told her. Julie, shaking her head said, "That bitch!" Best are some of the bloopers from The Julie Andrews Hour. Trying to close on episode, she encouraged viewers to tune in next week, but after flubbing up fell down the wrong path. Tilting her head to the side, she said, "Tune in, you silly bastards, we're not getting good enough ratings." In another clip, one of her co-stars swears loudly after messing up a scene, and Julie says with fake innocence, "I never heard that word before." Still, she hasn't shed her image completely - she once said on a talk show, "I thought it would be fun if I really, really wanted to change my image, I would take the centerfold of Playboy, but do it with the hat, the umbrella, and the carpet bag of Mary Poppins - and period!"

And all the while, she's still the star of the two most family friendly films of all time, the author of several children's books (which, by the way, came as a result of her breaking a bet with her stepdaughter that she could go without swearing), and one of the most beautiful singers of all time. Her late husband, Blake Edwards once said, "As long as we've been married, I've never really found anything I didn't like about her." And I feel the same.

***

So many, many birthday wishes to these three fabulous, favorite ladies of mine. As for that little note about the SMR I mentioned:

You might have noticed that I have been unable to keep up with my biweekly Sunday Movie Review schedule. At the moment, I feel like I'm too busy with schoolwork to really maintain regular features on here, you know? So, as of right now, I'm putting the Sunday Movie Review on the backburner - I will still be doing movie reviews (hopefully still on Sundays to keep some kind of consistency around here, but not necessarily), only there will not be fixed dates for when I put them up. Which means the appearance of reviews on this blog will be a little more erratic, but I do promise to keep on writing them. Hopefully, in the near future I'll be less occupied with real life and will be able to return the SMR to it's usual format, but for the time being, I think that's best. It allows for a greater variety of posts (so not every other article in the stream is a review), as well as when I do do reviews they will be (hopefully) better written and longer. And, I won't feel so guilty about missing SMRs! So the SMR isn't gone - it's only on a kind of a semi hiatus.

That being said, I also promise to be post more frequently. I already have some posts drafted up, so never fret: I'll be spamming your dashboard soon enough again! Also, don't forget to to sign up for the Letter to the Stars blogathon I'm cohosting with Marcella & Nat; you can do so here

And lastly - 


Sunday, February 26, 2012

"And the Oscar goes to..."

Before I start today's posts, two notes: I got some positive feedback on making the Sunday Movie Review a bi-weekly segment, so we're going to give it a try! Therefore, since I posted a review for Keeper of the Flame (1943) last week, the next review will be next Sunday, and so forth, etc. And the second is thank you all so so so much for your birthday wishes on Thursday. You all the are the sweetest! <3

As you all probably know, tonight is the night of the 82nd Academy Awards. 2011 was a great year for classic film fans, I felt. You had a movie about Marilyn Monroe, a silent film, a movie structured around the splendor of silent film, and several other movies that took place in the 20th century. Not to mention that both Meryl Streep and Christopher Plummer are nominated for Oscars; and if The Artist (2011) wins Best Picture, it'll be the first silent movie to win Best Picture since 1929 - and the first black and white since The Apartment (1960).

But on this Oscar Sunday, I'm not going to sit around predicting who's going to win what awards and etc. - though I really hope The Artist (2011) sweeps it all; and The Help (2011) I enjoyed as well - since we all know by now who's going to win what anyway. Plus, of course, this is a classic film blog, and despite the tight ties between the films at this year's Oscars and the Golden Age, they still qualify as 2011 movies.

So I thought it would be fun to take a look back at some of my favorite Oscar moments with Golden Age stars! This is just a fun, rambling list of Oscar memories, mostly with my favorite actors, no particular order or anything. I hope you enjoy, and if you want to discuss this year's Oscars, or 1939's Oscars (which, hey, guess what? - took place on my birthday!), or the Oscars of any other year, feel free to leave a comment and give your input!


Lucy's last public appearance
61st ACADEMY AWARDS | 1989, presenting 

My darling girl had her last public appearance at the 1989 Oscars, about six weeks before she passed away. She and Bob Hope were presenting and they got a big standing ovation. It's bittersweet watching this; and ironic that her last public appearance would be at the Oscars, despite the fact that Lucy was never nominated for one, and is famous as a television star, despite the fact she made more than 100 films. Her sparkling, black sequined dress is definitely a product of the 1980's, but I appreciate the slit that shows off her legs, which were still lovely at 77. She's so perfect. :')


Greer's Best Actress acceptance speech
16th ACADEMY AWARDS | 1943, Mrs. Miniver 

If anyone knows anything about my lovely Greer, they ought to know that she loved to talk. I think if talking was a sport, Greer could win all the Olympic medals. She had a habit of being able to go on and on about nearly any topic (except for herself; she didn't enjoy talking about personal matters, but to the chagrin of Hedda and Lolly) in that gorgeous voice of hers. When she won the Best Actress Oscar in 1943 for Mrs. Miniver (1942), it was about 1 AM in Hollywood when she took the stand. It is said that her speech might have been anywhere from five minutes to twenty; though the latter is likely an exaggeration, being so late into the night it might have felt that way to the other attendees. It is said she thanked everyone from the doctor who brought her into this world in London to all the cast members of Miniver and beyond. This speech is the longest in Oscar history as of; and the year following the Academy Award instilled a new rule that limited the winner to only forty seconds to thank those who needed to be thanked. Greer, alongside Bette Davis, holds the record for the most Academy Award nominations in a row (from 1941 - 1946), but she only won once, despite her amazing performances. I'm a little nervous that it might be because of this 1943 speech? There's no full footage or transcript of it, unfortunately, but Miniver DVDs tend to have a little tidbit of her speech in a newsreel or such.



Ingrid's Best Supporting Actress speech
47th ACADEMY AWARDS | 1975, Murder on the Orient Express

Ingrid won the Oscar three times. The first was in 1945, for Gaslight (1944), and then in 1957 for Anastasia (1956). The latter Oscar was accepted by her good friend and secret husband Cary Grant; that was when Ingrid was in Italy and married to Rossellini, recovering from the waves of scandal her affair with him had caused a few years before. Anastasia was her comeback film and her winning the Oscar for that movie was America's way of forgiving her. But her last Oscar was a Best Supporting Actress for Murder on the Orient Express (1974), and it's this one I chose to share, simply for the reason it starts with, "It's always nice to win an Oscar..." I couldn't post the link, but you can watch it here, and I strongly suggest that you do, because it's adorable.


Grace vs. Judy
28th ACADEMY AWARDS | 1955, The Country Girl & A Star is Born

Ahh, the age old debate of whether or not Judy Garland should have won the Oscar in 1955! Every classic film fan has heard about this controversy; when Grace won Best Actress in 1955 for her fine performance in The Country Girl (1954), but it wasn't the right year to win for everyone had expected Judy to win for her comeback movie, A Star is Born (1954). Even Grace Kelly's father released a statement after the awards ceremony, revealing that even he had expected Judy to win. I can't fairly judge this situation because I haven't seen A Star is Born (1954) - I plan to remedy that soon. And though I love Judy Garland, as we all should, Grace is one of my very favorite actresses which I guess would make me look biased. So I'll just keep my lips shut. But I'll say that I'm quite grateful Grace won in 1955; everyone thinks of her as only a gorgeous fashion plate, when she is so so much more.



Audrey's Best Actress speech
27th ACADEMY AWARDS | 1954, Roman Holiday

Audrey's win for Roman Holiday (1953) in 1954 is another subject of controversy, but Roman Holiday (1953) is one of my favorite movies; it's the movie that made Audrey a star and I just love it to pieces. I'll never have a problem with her having won that year, or any year, for that matter. Plus I think it's totally adorable how when she gets on stage, she goes in the wrong direction (I totally would have done that too) and her dress is gorgeous!


The double Best Actress of 1969

42nd ACADEMY AWARDS | 1969, Funny Girl and Lion In the Winter

The only time there was a tie for an Oscar was in 1969, for Best Actress. Both Katharine Hepburn, for Lion In the Winter (1968) and Barbra Striesand, for Funny Girl (1968) won the Oscar. Katie never showed up to accept her Oscars, but Barbra was there to collect her award in a very interesting outfit; handed over to her by none other than Ingrid - who was back in popularity thanks to Cactus Flower (1969). I LOVE the surprise on Ingrid's face when she realizes that it's a tie! Plus, as we all know, I consider Katharine Hepburn to be flawless and I really like Barbra Striesand too, she's adorable. Funny Girl (1968) isn't really my favorite film of hers, but I did like her performance in it; I mean, it made her a star, didn't it? And I know, it's terrible, but I've yet to see Lion in the Winter (1968); don't worry, I will really soon. You can watch it here.


No Natalie Wood unfortunately, because she never won an Oscar, despite being nominated four times. How stupid is that? I like to think that had she not drowned in 1981 she would've either made a comeback and been one of those winners who gets an Oscars in her late 40's or 50's; or later on she would have been awarded an Honorary Oscar.

Humphrey's Best Actor speech
25th ACADEMY AWARDS | 1952, The African Queen

Why it took as long as 1952 for Humphrey Bogart to win an Oscar, I'll never understand, but thankfully he finally did and The African Queen (1951) was a good movie for him to win it for. I love Greer's little intro and reference to her long, 1943 speech - "I have ten minutes left over from a highly emotional speech I gave a few years ago; I'll be happy to let you use it!" as well as reminding everyone of those "anticipatory noise reduction devices". And then the look of glee on her face when she realizes Bogie won; and Bogie's short and simple acceptance. I mean, I know he wasn't into that whole Hollywood scene, but from what I read in Betty Bacall's autobiography, everyone was thrilled to have him win. You get that impression from the cheer that comes up from the audience, too. You can watch it here.


Cary's Honorary Oscar speech
43rd ACADEMY AWARDS | 1970, Honorary Oscar



I think this might have been with Ingrid's Oscar, because he was much older when he won his Honorary one.

Sidney Poitier's Best Actor speech
37th ACADEMY AWARDS | 1964, Lilies of the Field

I don't think I've mentioned it before, but I love Sidney Poitier! He's one of my favorites. He's so sophisticated and distinguished, and really helped smash those racial barriers; I mean, Guess Who's Coming to Dinner (1967), anyone? The film that he won the Best Actor Oscar for, in 1964, was Lilies of the Field (1963), which I have yet to see. But I love this footage of him accepting the Oscar from Anne Bancroft, another person I adore and don't talk enough about. I mean, it was 1964 and racial tension was high, but Anne just throws her arms around Sidney and you can tell how excited she is for him. Therefore, this all results in one of my favorite Oscar moments. You can watch it here.


To prevent this list from becoming forever endless, I'll stop here. But there are sooo many Golden Age Oscar moments I love. So I'll also add the links to these: Vivien Leigh's 1940 Best Actress speech / Hattie McDaniel's 1940 Best Supporting Actress speech / Myrna Loy's 1991 Honorary Oscar speech / Greer Garson's 1962 acceptance for Sophia Loren's Best Actress and I hope you check them out because they're just as wonderful <3

***

Alright, that's it for this Sunday. I had a lot of fun writing this post! Do you have any favorite classic Oscar moments? Let me know in the comments!

Despite being hardcore classic film, I'll certainly be watching the Oscars tonight, how about you all? If so, Happy Oscar watching and if not, well, I hope you have a good evening anyway, my dears!

Wednesday, February 1, 2012

I'm Doing a Classic Film Survey!

First I'd like to apologize for missing the movie review on Sunday. It was a really crazy day and I couldn't get around to the computer. To that note, it's been a pretty wild week.

But that's not going to stop me from getting this survey started! I originally thought about doing this back in December, when I reached 50 followers. In the busyness of the holiday season it was hard to do, and so I set the date for mid-January, but, thanks to an overload of schoolwork, I couldn't do it then either. I had the survey written out and the banners and everything, but it just didn't seem like the right time to host my first blog event.

So we're doing it now! Kicking off February with a start! This is the month I was born in, so what better time for me to host a survey?

Lol. I have seen this type of a thing turn out really well for some blogs, so I'm crossing my fingers it'll work out nicely for my blog, too. :) It's 15 questions long and I worked hard to try to be as original as I could with the questions since surveys and movie memes have been done so many times before.

I made a banner for it - with Lucy, of course. If you're interested in doing this survey, please, by all means, answer the questions at your blog! That's the purpose, I really hope you all will participate because I'd love to see your answers! And if you do, be sure and leave me a comment with the link. :) Also, if you don't have a blog, or would rather not post the answers there, feel free to leave me your answers in the comments below.

That's about it! You're free to reply to this survey pretty much whenever! If any of the questions seem confusing, I've answered them myself below so you can see how they work. At the bottom I'll post a list of the questions without my answers so they can easily be copied and pasted. I hope you all enjoy this and a bazillion thanks to anyone who may choose to participate :) This is my first blog event, like I said, so I'm nervous and excited and can't believe I'm finally, you know, doing this - all at the same time. But I'm keeping my fingers crossed for a good turnout!

(I couldn't really think of a fantastic, exciting title for this movie meme so I'm just going with Classic Film Survey for now. :D)

Classic Film Survey
by Frankly, My Dear

1. Favorite Classic Disney?

I'll go with Cinderella (1950). If I ever take "Which Disney Princess are you?" quizzes (lol, don't laugh) I get Cinderella each time, though I definitely don't look all that much like her! I love the movie, and I love the music - A Dream is a Wish Your Heart Makes and So This is Love. This movie just makes me happy, and I adore it.

[via]

2. Favorite film from the year 1939?

So this pretty much goes without saying - Gone With the Wind (1939). I mean seriously, for what other reason would this blog be called "frankly, my dear"? :)

3. Favorite Carole Lombard screwball role?

I know, terribly mean question. I had to think it over myself for a little bit. But I'm coming up with Irene Bullock from My Man Godfrey (1936). I mean, she says stuff like, "GODFREY LOVES ME - GODFREY PUT ME IN THE SHOWER - GODFREY LOVES ME!" Who could ask for anything more?

4. Favorite off screen couple? (It's ok if it ended in divorce)

LUCY AND DESI DESILU LUCY AND DESI DESILU gee, I'm really going to have to mull this one over for a little bit!! I mean, there's honestly so many, I just don't know, I'm really going to have to think about it -


You saw this coming, didn't you? ;)

5. Favorite pair of best friends? (i.e - Jimmy Stewart and Henry Fonda, Joan Crawford and Barbara Stanwyck, etc.)

Well, yeah, I hope this makes sense. Basically your favorite pair of classic Hollywood actors that were really good friends in real life - like I said above, Jimmy and Henry, Joan and Barbara, are examples. I choose Olivia de Havilland and Bette Davis. They made a few movies together and Livvie stepped in when Joan bailed out of Hush, Hush, Sweet Charlotte (1968). They got along really well in real life, and as much as I love Bette, I can imagine she was probably a personality that wasn't always easy to get along with, but these two did!

6. Favorite actor with a mustache? (i.e: Charlie Chaplin, William Powell)

I basically mean a permanent one. It's okay if they shaved it off for a role or two, but I wasn't really thinking of vice versa. This reminds me of the Mustache Hall of Horror I did for Bette's blogathon back in November! lol. But the actor that truly rocks a mustache, in my opinion, is 


Clark Gable. Though he looked just as handsome without the mustache, perhaps sometimes more so, the mustache is just a part of Clark. What would Rhett Butler ever be without it?

7. Favorite blonde actress?

So the platinum blonde image of Marilyn Monroe is pretty much the posterchild for Classic Hollywood - though Jean Harlow did it first, as I like to remind everyone - but there were several other actresses that rocked blonde locks!

My problem with answering my own question is: was Ingrid Bergman truly blonde? I would think that at least when she was young and doing pictures in the 40's, it was a dark, dirty blonde shade. (Because it photographed kind of dark in black and white). Later on, when you see her in color in movies like Cactus Flower (1968) and Autumn Sonata (1978), it's completely brown however. I know that people with a blonde/brown hair oftentimes find their shade of hair changing over the years, so perhaps is the case with Ingrid.

So I think Ingrid is a blonde. Therefore this would make this question hard. But since's she not completely blonde, and was brunette in the later years, I'll go with  Grace Kelly. She was totally blonde, and it was natural (though, of course, the actress you choose for your response could certainly be bottle blonde, too, however!). And she was blonde until she died in that awful car crash. So Grace. :)

8. Favorite pre-code?

I'm asking this question for my own benefit! Like I said, one of my film goals this year was to watch more pre-codes as I've barely seen any! So I'm hoping you all would be able to mention some great pre-codes for this question! As of, I'll go with It Happened One Night (1934), which isn't startlingly pre-code but, of course, a fantastic movie.


9. Which studio would you have liked to join?

This is kind of like how Harry Potter fans sort themselves into houses. -;) Classic Hollywood is famous, sometimes infamous, for it's studio system, with each studio having its distinctive qualities. You have several choices, like MGM, Warner Brothers, RKO, etc., just don't put yourself into Monogram!!

I'm going to have to go with MGM. I mean, the tagline for the studio was "more stars than there are in the heavens!". Plus, if I worked at MGM, I would be working alongside some of my favorite stars!!! Here's one of my favorite photos, a whole crowd of MGM stars gathered for Louis B. Mayer's birthday, at a time when Lucy, Greer, AND Kate were all working there:


10. Favorite common on screen pairing that SHOULD have gotten married?

Basically a couple that made several pictures together that really need to have gotten married in real life. :) Like, you know, Bill and Myrna, Errol and Olivia, Fred and Ginger, etc. I guess Kate and Spence could count, but since I kind of consider them truly married anyway, I'll go with Walter and Greer. The Pidgeons! One day, someday, I'm going to have a pair of pigeons and name them Walter and Greer. :D

11. Favorite I Love Lucy episode?

It's hard to pick just one, but for me, it'll have to be Lucy is Enceinte, from 1952, the famous episode in which Lucy tells Ricky she's pregnant. Perhaps it's not the funniest out of all the episodes, but it's certainly the sweetest. Knowing that Lucy and Desi's tears in the end were real just kills me. (This is in a teary reference to question 4, how can you not adore these two?)

12. Lucille Ball, Audrey Hepburn, Katharine Hepburn, Natalie Wood, Grace Kelly, Ingrid Bergman, and Greer Garson - which one do you like the best?

Okay, this one was out of my own self-centered curiosity. If you read my blog often you'll probably know that these seven are my very favorite actresses, with Lucy being number one and the rest in no particular order. I was just curious about it, so I decided to throw it in. Don't worry, I won't be offended if Lucy isn't your number one ;)

But, she is, of course, mine.


13. Shadowy film noir from the 1940's or splashy colorful musicals from the 1950's?

I'm just getting into film noir (another film watching goal of this year), but I love it a lot. However, since I'm still wetting my feet in it, I'll go with the latter. Because also Singin in the Rain (1952) was really one of the films that drew me into my classic Hollywood obsession, and will forever be one of my favorites.

14. Actor or actress with the best autograph (photo preferred)?

This is in kind of a slight reference to What's my Line?. Whenever an actor or actress "signs" themselves in on the slate, I'm always entirely inquisitive about their autograph. It's usually pretty amazing. My favorite, of course, will be Lucy's. Our handwriting is actually quite similar, a fact I really revel in.


Her gorgeous signature on the bank card of hers that I own.

15. A baby (or childhood or teenage) photo of either your favorite actress or actor (or both, if you'd like)?

Because, what could be cuter than a series of photos of Classic Hollywood stars when they were tots? ;D

Here's Lucy's (call me biased, but it's my favorite out of all the baby photos I've seen. SHE'S SO ADORABLE. And that bow!) --


And here's Cary's (he's a pretty adorable young boy, too, I think!) --


***

Well, there's my answers to my own survey, and now I want to see YOURS! Don't forget to leave me a comment with the link to your replies if you post it on your blog, and if you have any questions, feel free to ask me. :)

Here's the banner I made, and a copy friendly version of the questions:


1. Favorite classic Disney?
2. Favorite film from the year 1939?
3. Favorite Carole Lombard Screwball role?
4. Favorite off screen couple? (It’s ok if it ended in divorce.)
5. Favorite pair of best friends? (i.e: Barbara Stanwyck and Joan Crawford)
6. Favorite actor with a mustache? 
7. Favorite blonde actress?
8. Favorite pre-code?
9. Which studio would you have liked to join?
10. Favorite common on screen pairing that SHOULD have gotten married? 
11. Favorite I Love Lucy episode?
12.  Out of these actresses which one do you like best: Lucille Ball, Ingrid Bergman, Natalie Wood, Grace Kelly, Audrey Hepburn, Greer Garson, Grace Kelly, or Katharine Hepburn?
13. Shadowy film noir from the 1940’s or splashy colorful musicals from the 1950’s?
14. Actor or actress with the best autograph (photo preferred).
15. A baby (or childhood, or teenage) photo of either your favorite actress or actor (or both, if you’d like.)

I hope you like it, and thank you to anyone who may participate! I really hope you do - those fingers are still tightly crossed - and yes, I mean YOU. ;)

[via]


Sunday, January 8, 2012

Sunday Movie Review: "Julia Misbehaves" (1948)

Hello folks!

Before I get started with the very first SMR of 2012 (since I skipped it last week on account of New Year's Day), I have two notes I'd like to quickly mention:
  1. The page for my 250 films in 2012 meme is now up! I've replaced my "What's my Line? Wednesdays" widget for a button for this page, so just take a peek into the tab bar. I encourage you to go over and there take to see what I'm watching. So far I've seen three films this year. Here's to meeting my goal!
  2. Film Classics is hosting a poll for the best article of 2012. It includes the four articles that won the four different contests held at Film Classics last year - two by Kevyn at The Most Beautiful Fraud in the World, one by Natalie, and one by me :) The poll closes the eighteenth of this month. So be sure and go and vote for your favorite article. And as usual, please read them all! :)
Okay, that's it. Now onto the review. It feels so long since I did a SMR that wasn't a Christmas movie, lol. :)

***

The poster: Greer lounging in a martini glass showing off her Garson gams... surrounded by bubbles... and the tagline "Greer Garson misbehaves - Walter Pidgeon loves it!" It's just the best poster I've seen in a while, is all.

The plot:
English dancehall actress Julia Packett hasn't seen her daughter since Susan was a few months old, having given her up to be raised by her respectable and wealthy father William (whom Julia never divorced.) When she gets an invitation to her daughter's wedding, she "borrows" some money from a male friend and heads off to the south of France for the nuptials. While there she manages to establish a mother-daughter relationship, get another man to provide her with a lot of money, provoke her mother-in-law's ire, string along a potential husband and his mother, and rekindle the spark in William, all within a day or two. [from IMdb]

The starring players:
  • Greer Garson as Julia Packett
  • Walter Pidgeon as William Packett
  • Elizabeth Taylor as Susan Packett
  • Peter Lawford as Ritchie Lorgan
  • Cesar Romero as Fred Ghenoccio  
The verdict:
★★★

You all may know that I have been wanting to see Julia Misbehaves (1948) for forever. Okay, actually, since early November - which is when my obsession with Greer began - but I'm really quite an impatient person. Anyway, this movie was really appealing to me because Greer and screwball comedy, well, honestly, how could you turn something like that down? And this has such a spectacular cast. Besides Greer, you've got Walter and Elizabeth (another one of my favorite actresses), Peter and Cesar... yeah, it's hard to not want to watch this movie. Plus I heard a lot of good things about it.

Well, it did not disappoint. Oh my gosh, I loved it! It definitely wasn't perfect and I do think that the plot was lacking in places. But considering that it's a screwball comedy I'm willing to set that aside. The very first reason to love this film, first and foremost, is Greer. Greer everything. <3

Oh my goodness, Julia Packett. Instantly one of my new favorite characters. From the first time we see her scrubbing away in her tub you just love her! And if that wasn't good enough, Greer SINGS AGAIN. Like she did in Random Harvest (1941)! Yes, I still think "My Bonny Daisy" tops all for me, but Julia's song about joining the navy is still pretty awesome in its own right. Literally, every time Greer sings I swoon a bit. I love her singing voice, I just love how when she pushes the notes a little too high her voice cracks a tiny bit, it's actually quite appealing to me (but then again, I'm a total Greer fangirl).

And then if that wasn't enough, Greer also does some of the following in this film:
  • She wears a tablecloth like a boss and slow dances with Walter whilst doing so (in a cabin)
  • Takes a bubble bath
  • Flirts shamelessly with Cesar Romero
  • Meets a suitor at a casino and cons him into buying $600 worth of clothes for her (actually, for Elizabeth Taylor)
  • Has super sweet mother daughter moments with Elizabeth Taylor
  • Slaps a sea lion (not on film, but she talks about it) and teaches us about the superstitions of wearing the color cyclamen pink. 
  • Tries (but does not succeed) to fight against a disastrous rainstorm and lands up getting covered in mud
Yeah, this is not your typical Greer Garson film.

Which is one more reason to love it. So one pretty blatant reason itself is to watch this film because of Greer if for no other reason. 

Then there are the others in this film! Walter is his usual self, likable and Greer's perfect suitor, playing a rich Englishman (or was it French?) who albeit has an American accent, as Walter always does (or should I say Canadian if you want to be technical). Greer and Walter play a much more fun and exciting couple than they usually do. I mean, in all of their past pairings - the Minivers, the Curies, the Parkingtons - they played couples with perfect marriages (there actually is a line like that in The Miniver Story, Greer says something like, "We've had what most people have never experienced, a perfect marriage," or something like that). And we loved those perfect marriages because they were dependable. But it's also nice to see them in a change of pace as the fun Packetts. They made a perfect pair and you couldn't wait for them to get together again!

Elizabeth Taylor was crossing the bridge from child roles to adult ones and this film was one of those coming of age experiences for her. Her character is almost at times too naive, or childish, to be of marrying age but considering this was the 1940s it's believable enough. Anyway, I liked seeing her in this role and I just loved seeing her and Greer together. The two of them had some really sweet moments. She and Peter Lawford have wonderful moments in this, too. I did find it kind of weird when I found out later that Elizabeth was just sixteen when she did this, and Lawford twenty-five, and then, they kiss in this - which probably would be illegal... but hey, if you choose to ignore that they're a real sweet couple. 

The film has some wonderful, perfectly witty lines. Like: "Well I jolly well hauled off and slapped that old sea lion right in the snout!" and "I can't I'm in the nude -- well, get out of the nude!" There's even a moment in this in which Liz says, "He said my eyes looked like wet violets - isn't that ridiculous? Nobody's eyes look like wet violets," or something like that.

There are faults in this plot, but I still liked it. I don't want to say that you have to be a big fan of Greer to really enjoy this film, but it's true that if you are a big Greer fan you're likely to love this a lot. STILL. I encourage everyone to give this film a try, because it's really awesome. I mean, slapping sea lions and wearing tablecloths and Greer singing about the navy and discussing the superstitions of wearing cyclamen pink? And top it off with that cast?


The bottom line:
I really really liked this film. <3

Some photos GIFS:




[ALL GIFS VIA Bridie Quility]


Some trivia:

  • Greer Garson met her third husband, Buddy Fogelson, during the filming of this movie via the introduction of Peter Lawford. They would be married until Fogelson's death. 
  • Peter Lawford gave Elizabeth Taylor her first onscreen kiss in this film.

A movie tidbit:

Someone honestly needs to put this film on Youtube! I would... if I knew how... and had the time. :)




***
      Well, that's it for today! But I have one more question for my fellow bloggers, those that are more experienced than me in this blogging thing ;) Lately I've been getting quite a few annoying spam comments. These people use stupid template comments and then add a link to their website (usually some foreign website) somewhere in the comment. They always use different commenting handles. Despite word verification I keep getting this and I was wondering if anyone had a certain system or filter they use or whatever for avoiding these. I love getting comments so it's really annoying when I go to check out a comment and find some stupid advertisement for LED Glow Lights! (And I have, by the way). Anyway, thanks to all of you who comment for real. :) There will always be those other stupid trolls on the net, I suppose.