The series continues with Kate Hepburn's favorite and the so called 'director to the women stars', George Cukor! You can read the previous installment of this series here.
You can actually read my review of this movie here. I actually didn't like this movie as much as I thought I would, but then you should know that I was expecting this to be a five star film. I thought some things were over the top about it, and it dragged a little too long, but over all I had to include this movie on this list because it's the prime example of why Cukor was THE premiere women's director. I have to give this movie credit for having an incredible, all star female cast (perhaps the best to date; but then there is Stage Door...) in a era which people consider male dominated. (Besides that list up there, you also have the supporting talents of Marjorie Main, Ruth Hussey, the fabulous child actress Virginia Weildler - the kid sister in The Philadelphia Story - and appearances by Hedda Hopper & Butterfly McQueen). So how can I not include this film on the list??!! You can read more about the fabulous performances in this movie (primarily Roz) in my review. It is a pretty good movie and fits well in with the year of 1939.
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Okay, so really, what can I say about this movie that hasn't been said already? I can't really think of anything, except this is really cinema at some of its best, and if you haven't seen it yet you've really been depriving yourself. This is the cinematic masterpiece that conjoined the talents of three of my all-time favorite people (and three of the most fabulous actors in Hollywood): Kate, Cary, and Jimmy. This is the movie that won Jimmy Stewart the Oscar. This is the movie that won Kate the hearts of audiences - this was the film that she made after years of being called "box office poison", swearing to come back with a hit and she did. THIS. I can't imagine that you wouldn't know the plot, but basically C.K Dexter Haven (aka Cary), Tracy Lord (Kate)'s ex-husband, and a tabloid reporter (Jimmy) and his photographer (Ruth Hussey) show up for Tracy's second marriage, trouble ensues. Real trouble. Also, Virginia Weildler again! I'm sorry, but am I the only who who finds her kind of fabulous? I realize now I've seen her in all sorts of films. Anyways, if you haven't seen this one yet pull yourself out from underneath your rock and go see it. Now.
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I have actually experienced three versions of this movie: the film in question, the original 1938 Swedish movie with Ingrid Bergman, and a radio program with Bette Davis. Out of all three, I have to admit to liking this one best, even though Ingrid is like my second favorite actress and I love her to bits and pieces. But this movie really clicked in all the right places for me, and tied up the loose ends that the Swedish version didn't, and Joan was actually pretty fabulous in the role. This movie is basically about a young woman named Anna Holm who was burned in a fire that killed her parents, and now her pretty face is left with an ugly scar, and she has turned herself against the world. Melvyn Douglas is the plastic surgeon that gives her another chance at life, but Conrad Veidt has other plans for Anna that would restore her to her life of crime. This 1941 American version also takes place in Sweden. It was on Youtube, but unfortunately it got deleted, but if you do happen to come across it, I highly recommend you watch it, you'd be surprised; it's kind of the black sheep on my list.
Okay, so The Philadelphia Story and this movie are pretty much battling it out for my favorite film on the list. The other day, Bette asked me what my favorite Ingrid performance was and it basically came down to this and Notorious. This whole movie is just about near perfect, okay? I love EVERYTHING about it and am trying to get my friend to watch it just so I can see it again (she kind of loves Isabella Rossellini - long story - because of me, and I'm easing her into Ingrid now). So Ingrid plays Paula Alquist, basically forced to move into the house her aunt was killed in by her new husband, played by Charles Boyer. But he's keeping a secret, and in order to cover up this lie of his, he goes to all sorts of measures that result in Paula beginning to go insane. Angela Lansbury plays the sassy maid who flirts brazenly with Charles Boyer's character, and she doesn't make matters any better. Ingrid won her first Oscar for this, and it's so well deserved! Really, I just adore everything about her performance in here, no one could play a beautiful-lady-who-was-in-love-but-is-now-losing-everything-and-might-be-going-mad better than her. Some people say she was a little "over the top" in this, but I could never agree and positively beg to differ. She's just fabulous in this, okay? I love it all, the darting eyes and the classic Ingrid screaming, just perfect. Oh, and Charles Boyer and Angela Lansbury were pretty darn good, too. Also, doesn't this film have just one of the best, best endings ever? "Are you suggest this is a knife, my husband? Have you gone mad? Shall we try it and see?"
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I've mentioned this before, but anyways, I'll say it again: it's pretty much either this or Woman of the Year for favorite Kate & Spence movie for me; and I've seen them all! Basically, Judy Holliday shoots her cheating, chauvinistic husband when she catches him with his mistress. He didn't die, but she's sent to court. Kate and Spence play Adam and Amanda Bonner, husband-and-wife-lawyers who are perfectly happy until Amanda defends Judy's character and Adam her husband. Obviously, things aren't so smooth after that. I don't know if I've ever said this, but I have this real fascination with court scenes in movies, I always enjoy them as long as they're played well - I love the drama and I love it when there are clever lawyers involved. This is probably one of the best examples of that type of a movie. The acting is, of course, top notch.We would all expect Kate and Spence to be amazing. Judy Holliday, despite going on to win an Oscar, is pretty underrated and I can't understand why because she's a great actress and I always enjoy her performances. Anyways, bottom line is, this is a pretty fantastic movie.
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So I've done a review of this movie, too. Broderick Crawford hires bookish William Holden to teach his apparently "dumb blond" lover, Judy Holliday, to be smart. All sorts of hilarious outcomes occur when Billie (Judy) proves to be a little too smart, and learns what a real scumbag her tycoon lover is, and starts to fall for William Holden. This was the movie that won Judy the Oscar, and as I mentioned back up there, I don't understand why she isn't appreciated enough because she really is a great actress. So, so, so funny in this. Everything about the character was spot on and just right and I couldn't keep laughing, plenty of hilarious scenes mostly involving Judy. Just a really great performance, to be put simply. She was so great that I can even forgive Lucy not being cast, because at least this came out of it. William Holden is also pretty cute in this nerdy character that was a step or two away from what he usually does, and Broderick Crawford played the indignant tycoon fantastically. He and Judy have great rapport, especially in a scene where the play a game of gin.
***
GEORGE CUKOR (1899 - 1983)
George Cukor was a pretty wonderful director - even if he was against casting Lucy in Born Yesterday (and okay, fine, the movie was awesome and Judy Holliday was fantastic, but isn't everything made better with a dash of Lucy?). So, I present to you six favorite Cukor films, discounting the movies he worked on but was not properly credited for (like Gone With the Wind and The Wizard of Oz).
THE WOMEN | 1939 | Norma Shearer, Joan Crawford, Rosalind Russell, Joan Fontaine, Paulette Goddard
You can actually read my review of this movie here. I actually didn't like this movie as much as I thought I would, but then you should know that I was expecting this to be a five star film. I thought some things were over the top about it, and it dragged a little too long, but over all I had to include this movie on this list because it's the prime example of why Cukor was THE premiere women's director. I have to give this movie credit for having an incredible, all star female cast (perhaps the best to date; but then there is Stage Door...) in a era which people consider male dominated. (Besides that list up there, you also have the supporting talents of Marjorie Main, Ruth Hussey, the fabulous child actress Virginia Weildler - the kid sister in The Philadelphia Story - and appearances by Hedda Hopper & Butterfly McQueen). So how can I not include this film on the list??!! You can read more about the fabulous performances in this movie (primarily Roz) in my review. It is a pretty good movie and fits well in with the year of 1939.THE PHILADELPHIA STORY | 1940 | Katharine Hepburn, Cary Grant, Jimmy Stewart
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Okay, so really, what can I say about this movie that hasn't been said already? I can't really think of anything, except this is really cinema at some of its best, and if you haven't seen it yet you've really been depriving yourself. This is the cinematic masterpiece that conjoined the talents of three of my all-time favorite people (and three of the most fabulous actors in Hollywood): Kate, Cary, and Jimmy. This is the movie that won Jimmy Stewart the Oscar. This is the movie that won Kate the hearts of audiences - this was the film that she made after years of being called "box office poison", swearing to come back with a hit and she did. THIS. I can't imagine that you wouldn't know the plot, but basically C.K Dexter Haven (aka Cary), Tracy Lord (Kate)'s ex-husband, and a tabloid reporter (Jimmy) and his photographer (Ruth Hussey) show up for Tracy's second marriage, trouble ensues. Real trouble. Also, Virginia Weildler again! I'm sorry, but am I the only who who finds her kind of fabulous? I realize now I've seen her in all sorts of films. Anyways, if you haven't seen this one yet pull yourself out from underneath your rock and go see it. Now. A WOMAN'S FACE | 1941 | Joan Crawford, Melvyn Douglas
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I have actually experienced three versions of this movie: the film in question, the original 1938 Swedish movie with Ingrid Bergman, and a radio program with Bette Davis. Out of all three, I have to admit to liking this one best, even though Ingrid is like my second favorite actress and I love her to bits and pieces. But this movie really clicked in all the right places for me, and tied up the loose ends that the Swedish version didn't, and Joan was actually pretty fabulous in the role. This movie is basically about a young woman named Anna Holm who was burned in a fire that killed her parents, and now her pretty face is left with an ugly scar, and she has turned herself against the world. Melvyn Douglas is the plastic surgeon that gives her another chance at life, but Conrad Veidt has other plans for Anna that would restore her to her life of crime. This 1941 American version also takes place in Sweden. It was on Youtube, but unfortunately it got deleted, but if you do happen to come across it, I highly recommend you watch it, you'd be surprised; it's kind of the black sheep on my list. GASLIGHT | 1944 | Ingrid Bergman, Charles Boyer, Angela Lansbury
Okay, so The Philadelphia Story and this movie are pretty much battling it out for my favorite film on the list. The other day, Bette asked me what my favorite Ingrid performance was and it basically came down to this and Notorious. This whole movie is just about near perfect, okay? I love EVERYTHING about it and am trying to get my friend to watch it just so I can see it again (she kind of loves Isabella Rossellini - long story - because of me, and I'm easing her into Ingrid now). So Ingrid plays Paula Alquist, basically forced to move into the house her aunt was killed in by her new husband, played by Charles Boyer. But he's keeping a secret, and in order to cover up this lie of his, he goes to all sorts of measures that result in Paula beginning to go insane. Angela Lansbury plays the sassy maid who flirts brazenly with Charles Boyer's character, and she doesn't make matters any better. Ingrid won her first Oscar for this, and it's so well deserved! Really, I just adore everything about her performance in here, no one could play a beautiful-lady-who-was-in-love-but-is-now-losing-everything-and-might-be-going-mad better than her. Some people say she was a little "over the top" in this, but I could never agree and positively beg to differ. She's just fabulous in this, okay? I love it all, the darting eyes and the classic Ingrid screaming, just perfect. Oh, and Charles Boyer and Angela Lansbury were pretty darn good, too. Also, doesn't this film have just one of the best, best endings ever? "ADAM'S RIB | 1949 | Spencer Tracy, Katharine Hepburn, Judy Holliday
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I've mentioned this before, but anyways, I'll say it again: it's pretty much either this or Woman of the Year for favorite Kate & Spence movie for me; and I've seen them all! Basically, Judy Holliday shoots her cheating, chauvinistic husband when she catches him with his mistress. He didn't die, but she's sent to court. Kate and Spence play Adam and Amanda Bonner, husband-and-wife-lawyers who are perfectly happy until Amanda defends Judy's character and Adam her husband. Obviously, things aren't so smooth after that. I don't know if I've ever said this, but I have this real fascination with court scenes in movies, I always enjoy them as long as they're played well - I love the drama and I love it when there are clever lawyers involved. This is probably one of the best examples of that type of a movie. The acting is, of course, top notch.We would all expect Kate and Spence to be amazing. Judy Holliday, despite going on to win an Oscar, is pretty underrated and I can't understand why because she's a great actress and I always enjoy her performances. Anyways, bottom line is, this is a pretty fantastic movie. BORN YESTERDAY | 1950 | Judy Holliday, William Holden, Broderick Crawford
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So I've done a review of this movie, too. Broderick Crawford hires bookish William Holden to teach his apparently "dumb blond" lover, Judy Holliday, to be smart. All sorts of hilarious outcomes occur when Billie (Judy) proves to be a little too smart, and learns what a real scumbag her tycoon lover is, and starts to fall for William Holden. This was the movie that won Judy the Oscar, and as I mentioned back up there, I don't understand why she isn't appreciated enough because she really is a great actress. So, so, so funny in this. Everything about the character was spot on and just right and I couldn't keep laughing, plenty of hilarious scenes mostly involving Judy. Just a really great performance, to be put simply. She was so great that I can even forgive Lucy not being cast, because at least this came out of it. William Holden is also pretty cute in this nerdy character that was a step or two away from what he usually does, and Broderick Crawford played the indignant tycoon fantastically. He and Judy have great rapport, especially in a scene where the play a game of gin.***
Once more, I trimmed that list and left out other really great movies like My Fair Lady (1964), The Actress (1953), Holiday (1938), and Pat and Mike (1952). Oh, and if you're wondering about Camille (1936), I haven't seen it yet, and no, it's not because I have some kind of a Garbo boycott going on. I just want to read the book first, and it's only to-be-read list, right after I get through a collection of three James Cain novels. (All of the great film noirs I've already seen on screen, but so much fun to read in print!)
But anyways, Cukor did all sorts of great movies, didn't he? I mean there are other films, too - ones he wasn't credited for, so I had to leave them out.
Okay as usual, please, bloggers, check out the blogathon I'm co-hosting. I'm going to keep advertising this all the way up onto the blogathon, it's never too late to join in! And remember, you don't have to think of a film right now - I still haven't!!!
