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Showing posts with label Julie Andrews. Show all posts
Showing posts with label Julie Andrews. Show all posts

Sunday, September 30, 2012

Happy Birthday, My Favorite British Dames | Deborah, Greer & Julie

I'd first like to apologize for having disappeared into thin air for nearly three weeks! In that time, I missed a blogathon I'd promise to write an entry for, several SMRs, and also consequently reached 100 followers! (As of now, it's 101 - it could be apt to change if I lose one or two but anyways, this is my first time reaching this milestone!) I'm sorry I haven't been around as of much - it's just one of those terrible times when real life gets in the way of blogging, you know? I'll have a little note about the SMRs at the end of this blog, but most importantly I want to give a big THANK YOU ♥ to all 101 of you that follow me. It really does mean a lot to me, and hopefully when I have a little more time on my hands I can come up with a more creative way to celebrate making it past 100!

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As it so happens, three of my favorite actresses have birthdays three days in a row! How wonderful is that? (Albiet exhausting, most definitely.) I felt that bombarding you with three birthday posts in a row would be a bit too much (especially seeing how that would come after my being M.I.A. for so long), so I'm combining it all into one post. (I chose this date because's it's the middle one.) 

The three actresses are: Greer Garson (September 29th), Deborah Kerr (September 30th) and Julie Andrews (October 1st). Interestingly enough, all three British dames are actresses that I finally come around to truly appreciating within the last year. Needless to say, I now adore them to bits and find them all pretty much perfect.


Greer Garson
(SEPTEMBER 29, 1904 - APRIL 6, 1996)

I think the mirror should be tilted slightly upward when it`s reflecting life -- toward the cheerful, the tender, the compassionate, the brave, the funny, the encouraging, all those things -- and not tilted down to the gutter part of the time, into the troubled vistas of conflict."
Greer Garson, my beautiful bonny daisy. I fell in love with her nearly a year ago, after watching Adventure (1945). To say that Adventure is a perfect movie would be an overstatement, but I will always love it because it introduced me to Greer. Instantly, I loved her: her voice, her smile, her refined acting. I wouldn't be lying if I say I have very nearly seen everything Greer was in, and I worked my way through most of her films within a couple of months. I couldn't get enough of her. Despite having won an Oscar and having been nominated countless more times, Greer is an actress that isn't as well remembered as she should be today. She brought real vitality to her performances, which she combined with sweetness and warmth and a particular sensitivity. It's impossible not to sympathize with a Greer Garson character. Gregory Peck once described her as "all woman", and she was: radiant, funny, and brave. Greer Garson should be every lady's aspiration and every girl's heroine.

After reading her biography, I came to the conclusion that Greer Garson might also very well be one of the most likable people of all time. It seems that her real life disposition wasn't a far cry from the image she projected on screen. My favorite personality trait of hers was how she was famous (or maybe infamous) for talking nonstop! The speech she gave when accepting her Oscar for Mrs. Miniver (1942) is the longest in the history of the Academy Awards, a whole five minutes long where she has been said to have thanked everyone from the doctor who brought her into the world to the film's production crew. (Needless to say, the following year the Academy instilled a forty second limit on speeches which is even more greatly enforced nowadays because the event is televised).

Greer was the biggest box office draw of the World War II years. From the start of the era, she won the hearts of moviegoers with her most famous role as the endearing, resilient Mrs. Minivier, who soon enough became a model for combating the war to American & British women alike. She was just what both countries needed at the time: a little hint of sunshine and spirit that was a reminder of what we were fighting for. Happy birthday, my bonny daisy.

Deborah Kerr
(SEPTEMBER 30, 1921 - OCTOBER 16, 2007)
I'd like to be remembered as a good actress, but above all, as a good human being."
Deborah Kerr, is, to me, the most versatile actress in films, then or today. I don't think there was a role that Deborah couldn't tackle and make her own, or a character that she failed to lend her own touch of ladylike gentility to. (Glenn Close was correct when she said that Deborah played "nice ladies and not-so-nice ladies, but always ladies.") She rolled around in the sandy surf with Burt Lancaster in what is remembered as one of the sultriest kisses in movie history in From Here to Eternity (1953). She was center stage in one of Hollywood's most beloved musicals in The King and I (1956). She also played a nun that Robert Mitchum couldn't help be immorally attracted to in Heaven Knows, Mr. Allison (1957), a haunted governess in the creepy The Innocents (1961), and the newspaperwoman Sheilah Graham in Beloved Infidel (1959). She gave into her feelings for a younger man in Tea and Sympathy (1956), became illegitimately pregnant with William Holden's child in The Proud and the Profane (1956), and even briefly appeared topless in The Gypsy Moths (1969).

Can you imagine playing roles like those in the 1950s while still maintaining a ladylike reputation and public respect? It's needless to say that Deborah could do it all, and I don't think there was any role she wasn't afraid of. The biggest atrocity in movie history is that she never won an Oscar, because of any actress truly deserved one, it was her. So many of her movies and so many of her performances are among my favorites. She's always a joy to watch, and absolutely gorgeous. That red hair and that perfect dimpled nose. There's a story that goes that a woman once approached Deborah inquiring about the doctor who had done her nose for her. In her polite manner, Deborah informed the woman that her nose was, thank you very much, quite real.

"She is warmly human and sympathetic and possessed of a humor that ranged from the subtle to the downright wicked," said her good friend Robert Mitchum, who considered Deborah his alltime favorite actress and 'the only leading lady he had a strictly platonic relationship with.' One of my favorite stories about Deborah is in good attest to that quote. It was during the filming of Heaven Knows, Mr. Allison and Deborah was in a canoe rowing a boat. "Faster, row faster!" the film's director, John Huston was constantly shouting. Finally, the intensity of Deborah's rowing resulted in the oars splitting into half in her hands, and in her soaked nun's habit she yelled, "Is that f--king fast enough?" Mitchum laughed so hard he nearly drowned.

 Julie Andrews
(OCTOBER 1 1935 - )
 Perseverance is failing nineteen times and succeeding the twentieth." 
The only thing, in my opinion, that Julie Andrews hasn't been yet is Queen of England (and if you ask me, she should - after all, she's already a Dame!). Jools is Maria Van Trapp, Mary Poppins, Cinderella, Eliza Doolittle, and the Queen of Genovia. It could probably be statistically proven that most people's childhoods are spent much of the time with Julie Andrews.

Jools is quite honestly the sweetheart to end all sweethearts - "I'm so sweet sometimes even I can't stand it!" - but what I love about her is the less wholesome side of her. Let's it face it, no matter what she does Julie will never be able to shed her General Foods image, because to us she will always most prominently be Maria twirling on the hill or Mary Poppins powdering her face with chimney ashes. 'Wholesome' will forever be the word associated with her, used most often to describe her, and the word she hates most (she's been quoted as saying so).

But there is definitely a side to her that's a little less sweet and a bit more, I guess you could put it, raunchy and that's one of the main reasons I love her. I didn't discover that not-so-lily-white side to her until I became a true fan of her within the last few months, and once I learned about this I couldn't get over how fabulous she is. It's that part of Jools that swears like a sailor, appeared topless in S.O.B. (1981), and as a cross dresser - "a woman, pretending to be man, pretending to be a woman?" - in Victor/Victoria (1982).

(Please, if you will, pardon the swearing that appears here :D) Once, when she appeared on Jay Leno's show, he told her that her best friend, Carol Burnett, had once told him that she could "outcuss anybody." Julie's reactions to that were of shock. She dropped her jaw and turned to the audience, "Me? Me?" "I couldn't believe it!" Leno told her. Julie, shaking her head said, "That bitch!" Best are some of the bloopers from The Julie Andrews Hour. Trying to close on episode, she encouraged viewers to tune in next week, but after flubbing up fell down the wrong path. Tilting her head to the side, she said, "Tune in, you silly bastards, we're not getting good enough ratings." In another clip, one of her co-stars swears loudly after messing up a scene, and Julie says with fake innocence, "I never heard that word before." Still, she hasn't shed her image completely - she once said on a talk show, "I thought it would be fun if I really, really wanted to change my image, I would take the centerfold of Playboy, but do it with the hat, the umbrella, and the carpet bag of Mary Poppins - and period!"

And all the while, she's still the star of the two most family friendly films of all time, the author of several children's books (which, by the way, came as a result of her breaking a bet with her stepdaughter that she could go without swearing), and one of the most beautiful singers of all time. Her late husband, Blake Edwards once said, "As long as we've been married, I've never really found anything I didn't like about her." And I feel the same.

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So many, many birthday wishes to these three fabulous, favorite ladies of mine. As for that little note about the SMR I mentioned:

You might have noticed that I have been unable to keep up with my biweekly Sunday Movie Review schedule. At the moment, I feel like I'm too busy with schoolwork to really maintain regular features on here, you know? So, as of right now, I'm putting the Sunday Movie Review on the backburner - I will still be doing movie reviews (hopefully still on Sundays to keep some kind of consistency around here, but not necessarily), only there will not be fixed dates for when I put them up. Which means the appearance of reviews on this blog will be a little more erratic, but I do promise to keep on writing them. Hopefully, in the near future I'll be less occupied with real life and will be able to return the SMR to it's usual format, but for the time being, I think that's best. It allows for a greater variety of posts (so not every other article in the stream is a review), as well as when I do do reviews they will be (hopefully) better written and longer. And, I won't feel so guilty about missing SMRs! So the SMR isn't gone - it's only on a kind of a semi hiatus.

That being said, I also promise to be post more frequently. I already have some posts drafted up, so never fret: I'll be spamming your dashboard soon enough again! Also, don't forget to to sign up for the Letter to the Stars blogathon I'm cohosting with Marcella & Nat; you can do so here

And lastly - 


Sunday, July 8, 2012

Sunday Movie Review: "Torn Curtain" (1966)


TORN CURTAIN (1966): Cast, plot details 
An American scientist (Paul Newman) publicly defects to East Germany as part of a cloak and dagger mission to find the solution for a formula resin and then figuring out a plan to escape back to the West. He is joined by his fiancé (Julie Andrews). [from IMdb - with doctoring by me]

  • Paul Newman as Michael Armstrong
  • Julie Andrews as Sarah Sherman



THE VERDICT: ★★

Though it's not the all-time best Hitchcock film, it's still an entertaining movie with plenty of suspense and it would definitely be worth a watch

This is actually a movie that is a lot less beloved than Hitchcock's other works. Critics weren't too hot about it back in 1966 and fans have forgotten it. And when you compare it to movies like Notorious and North By Northwest, sure, it doesn't come out looking like an incredible film. But if you didn't compare this movie to the other, really fantastic, amazing movies Hitchcock did, you'd actually find that this is a pretty good movie all the while. Anyways, I really did enjoy it and I wouldn't not recommend it.

The plot takes place during the Cold War and is basically about the dangers of going beyond the Iron Curtain. The occurrences while Paul and Julie's characters are there are pretty entertaining and suspenseful, as well as their escape from behind the Curtain. The scene that kept me the most on the edge of my seat, in that typical Hitchcock way, is one in which Paul Newman and & the wife of a farmer, who doesn't speak any English, silently murder a nosy communist.

I really do like Paul Newman, I haven't seen enough of his movies as I would like to - and I'm working on that - but what performances of his I have seen I have enjoyed. This was one of those great performances, he milked the suspense pretty well in this and you were rooting for his character all along. 

Almost two weeks ago, I did a post about The Sound of Music (1965), where I was discussing how I'd forgotten how incredible Julie Andrews is and how I really needed to watch some more of her movies. Well, anyone who has been reading this blog for a few months or so will know that I fall into obsessions with actresses very quickly, and I begin watching marathons of their films until I've seen like 50% of their filmography. No joke. And then my favorites list gets all topsy turvsy - and well, the bottom line is, if you were expecting I'd fall into a obsessions with Julie Andrews from reading that bit in my post, you were right.

I couldn't help it okay. She's so fabulous. She's just really, really fabulous. So much so that I even plan to try Mary Poppins again. Just for her. Because I adore her.

She wasn't in this movie nearly as much as I would have liked her to be, it's really Paul's movie, but anyways, with the screen time she did have she was rather good as Paul's girlfriend torn between sticking with him and pretty much sacrificing herself, or returning to safety beyond the Curtain. The chemistry between her and Paul wasn't, for example, Cary-and-Ingrid-in-Notorious amazing, but it was still pretty good and that was fine considering that for a great deal of the film they're a bit cold to each other. I saw some reviews calling their chemistry (as well as Julie's acting) "wooden", I seriously don't think it was that terrible. In my opinion, that's an exaggeration. For the most part they worked well together, and besides, they were so beautiful together that to the eye they make a good couple. I mean, two pairs of gorgeous blue eyes in color?

Though this isn't the best Hitchcock movie I've seen, people would appreciate this movie a lot more if they just took it for what it is and not compare to the other works of Hitchcock's. Then perhaps, the plot would seem more suspenseful and Paul and Julie's chemistry more palpable. As for me, I can't say that I didn't like it, for that would be a lie, because I really enjoyed it.


PHOTOS & TRIVIA




  • Hitchcock originally wanted Cary Grant & Eva Marie Saint for the lead roles, but the studio wanted the more popular, younger, and bankable Paul Newman & Julie Andrews.
  • Apparently, this was one of Hitchcock's most unhappiest directing jobs.
  • Marked the end of the companionship of Bernard Hermann's musical scores and Hitchcock films.

A MOVIE TIDBIT


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Just so you know, guys, I've also updated my favorite actors & actresses pages!
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Per usual - CALLING ALL BLOGGERS! Have you signed up for me and Natalie's [or Natalie and I's??] blogathon yet? You can do so now! And, as usual, thanks to those of you who have already gotten on board :) It's going to be a ton of fun!
   

Wednesday, June 27, 2012

The hills fill my heart


I go to the hills when my heart is lonely I know I will hear what I’ve heard before My heart will be blessed with the sound of music And I’ll sing once more
[via]

Correction: the movie fills my heart.

I could never possibly choose just one favorite movie. I could easily tell you my favorite actress (no surprise there), or my favorite book, or my favorite song, even - but I can't just pick one film as my favorite above all. It's too hard for a film buff to answer this question. I feel that there are so many movies I love, and being asked which one I like best is like having to choose a favorite child (not like I have any children, but, you know, in the future and all).

I feel like I love certain films for particular reasons, or perhaps a movie will bring back some sort of a memory to me, and it is these sort of films that I have the greatest of sentimental attachment to. For example, Singin' in the Rain (1952) and Bringing up Baby (1938) will always be near and dear to my heart for they were the movies that introduced me to classic film - and Katharine Hepburn & Cary Grant on the latter part. It's these films I may love with more of a eager passion than another movie I liked just as well, or was just as good, because these movies I hold in such high sentiment.

Though now I cannot choose just one film for my life as my favorite, a few years ago this question had a simple, easy, answer and I was always happy to be asked because I knew exactly what to answer. The Sound of Music (1965), which I fell in love with as a little kid. I know I have mentioned this before, but all the while: I abused our DVD player watching this movie over and over nearly every day. I knew the lyrics of all the songs by heart, and all the lines, and the names of all the characters - "Even the butler," I boasted to my dad. The movie was my life, no question, and there was no greater movie in the whole cinematic word than The Sound of Music.

As I got a bit older, and I got into classic films, movies quite a few years older than my revered The Sound of Music, I began to take such akin to these films that I decided maybe it was okay to add a few more films to my favorites list, and so it grew and grew beyond comprehension to the point where I'm now so fuddled up, I would only be able to furrow my brow and list just a few of my favorites, but not all, probably only what came to my head at that moment you would've asked me.

However, even though I no longer watched The Sound of Music everyday, and there were other movies that filled my heart with equal contentment, I still loved it. But as you get older and get more homework and less down time and there are so many other new movies to watch, you have less time to see a three hour movie you've watched millions of times yet again.

So I was surprised a few weeks ago upon realizing that it had probably been two to three years since I had seen The Sound of Music in its full, three hour completion. It actually made me quite upset. And remembering that I'd been gifted the DVD from one of my best friends for my eleventh birthday, I dug it up and made a date to watch the three hour movie one of these weekends with my dad. And so, I rewatched it this past Sunday.

Before rewatching it, I stopped to wonder, just a little bit, if I would love the movie with so much passion as I had when I was a little kid. After all, when I first saw this movie, I had been Brigitta's age. Would anything have changed over time? I was sure I would still find the movie great, but I wondered if I would love it as wholeheartedly as watching it when I was little, or would certain flaws sick out to me here or there - or would some things come off across as corny? It wasn't that I was doubting my love for the film, but rather would it be so monumental of a cinematic experience as when I was little and impressionable?

Well, I was silly to have any doubts, because watching it again, I felt all the same emotions when I was little, from the helicopter shot panning across Maria twirling in the gorgeous hills, to the final scene where the Von Trapps are climbing every mountain as they cross the border to safety in Switzerland. It was just as wonderful and beautiful as I had remembered it being seeing it for the first time, and I felt stupid to have ever doubted that I could "outgrow" the passionate love I had for this, dare I say, perfect movie. It's a film that you could watch for the beautiful scenery of Austria alone, but for the warmth it fills us with and the feeling of security is provides.

  
  
[via]

Things I remembered: A little - all the lyrics of the songs. I was upset that I couldn't get much farther than the first few lyrics of the title song, but of course I hadn't forgotten anything of Do Re Mi, My Favorite Things, and Sixteen Going on Seventeen. And I could still plodder through Edelweiss pretty well, which is funny considering when  I was little I thought most of the song was in German. Okay, don't laugh, the Captain sings very quietly and I was a little kid who had grown up in America and had never heard of this mountain flowering plant on the other side of the globe. (It's actually kind of creepy looking, take a look). I also, of course, remembered a great deal of what certain characters said and when, more than I thought I would, which I was very happy about. I guess if you watch a three hour movie nearly everyday for a portion of your life, certain things stick with you. For example, I  always always think of the Baroness (Eleanor Parker) telling the Captain with misty eyes, "I'll pack my little bags and return to Vienna, where I belong - and somewhere, out there, there's a lady who I don't think will be a nun."

Things I'd forgotten:  How funny this movie is! I was laughing until my sides hurt when watching the scene where Maria first meets the Captain & the Von Trapp children. So funny, all sorts of clever lines with the Captain's obsessive use of his whistle and the seven different signals he has for the kids. And the children are fantastic too in their navy esque uniforms as they do military-style verbatim introductions for their new fraulein. But best of all is when the Captain whistles his ridiculously long, hilarious sounding signal for Maria, and her reaction, and when she asks the Captain, "But, sir, what am signal am I supposed to use for you?" This scene is all the more cute and amusing when she later tells him, "I knew I loved you from the first time you blew that silly whistle." This scene, too, is so funny. I hadn't forgotten much else except something really important, which is the fact that Julie Andrews is a wonderful actress. Like, fabulous, really. 


(Let me explain that a bit. Okay, brace yourselves: I. don't. like. Mary. Poppins. Are you still breathing on that other side of the screen? I watched Mary Poppins twice, and neither my dad or I cared for it both times, but I actually don't want to give up on it yet and I think I'll try to watch it one more time and perhaps the third time will be a charm. Anyways, I don't think it was Julie's fault that I didn't like the movie, and I never blacklisted her because of it, for, after all, The Sound of Music. Still, though, I've really never paid her much attention in the past few years, though I always knew she was fabulous in this I've barely seen her in anything else but The Princess Diaries - which is actually like my favorite modern movie. Don't judge me, okay? IT'S CLEVER - which is really dumb. Because she's pretty wonderful. And her nose is really adorable. Anyways, I've got Torn Curtain coming in the mail and I'm really welcome to suggestions on where to go from there, but I don't think I can do Victor/Victoria just yet...;D. Also, if you don't believe Jools is awesome, just look at this.)


I'm not sure I could pick just one favorite song from this movie. Perhaps it's the title song, for it's so beautiful. But then again, My Favorite Things always cheers me up and my best friend and I once made a music video for Sixteen Going on Seventeen. So I really couldn't pick just one. But aren't the songs in this simply fabulous? They're just good songs, end of story. And the choreography as well, there is not all together that much of it but where there is some it's fantastic. Like Liesel and Rolf's little dance in the gazebo, I was always impressed by the way they jumped all the benches, though Charmain Carr got injured doing it. 

And so how about a favorite scene? I do think I have actually have one. It's during the glamorous ball that the Captain is throwing for the Baroness, and Maria and the children are loitering outside the dance hall in the courtyard. The orchestra begins to play an Austrian waltz, and Maria tries to teach Kurt how it goes, but he's no twinkle toes and in fact has two left feet and is fumbling all over the place. The Captain sees this, and smiles, and cuts in and this is what it entails:



[via]

Then this happens, and Brigitta steps in to point out the obvious: that Maria is blushing all over, and the Baroness cuts in on the scene. I love this part because the waltz is so very gorgeous, and I think it's the turning point in the movie about the Captain and Maria's feelings for each other. Everyone sees it: the couple in question, and the children, and the Baroness, of course, who decides it's time to do something about it.

I love the subtleness of the built up feelings that the Captain and Maria harbor for one anther. When I was little, I didn't notice it coming until the above scene. Watching it on Sunday, I picked up on the little glances between the Captain and Maria. Their love for each other grew silently, and their relationship is delicate, but if you pay attention you pick up on the small, sweet things, and this is probably one of my favorite things about the whole movie. The tiny moments that bring them together: like Maria shedding light on the Captain's stern attitude to his children, or the Captain playing Edelweiss with his guitar as he thanks Maria with his eyes for bringing music back into the house.

If you feel that this movie is overly sweet, I will concur that it's well balanced because of THE Baroness: Baroness Schraeder. Oh, the Baroness, who stands on center stage in some of the most memorable scenes in the movie. Like the one where she plays this irritably boring game with the children which involves each player having a number and tossing a ball to one another. When Kurt pleads with her to the end the game because "they're tired," the Baroness saunters off to Uncle Max, and taking a sip of pink lemonade simpers, "Boarding school." The Baroness is the ruiner of the fun right before the Intermission by sending Maria away simply by stating the obvious:

[via]
She's like the Wicked Witch of the movie, and Eleanor Parker played her so wonderfully she added that extra element of a dash of spice that the movie needed. Oh, sure, we take a sigh of relief when she tells the Captain that she's leaving for good, but you have to admit, she tried her level best and it was even a bit fun to watch the snobbish b*tch give it her all.

Lastly, the fashion freak in me must mention the costumes. Many of them are so pretty, and I'm not talking about the play clothes Maria makes for the children out of her drapery (I wonder if she's been taking notes from Scarlett O'Hara) but these four in particular:
Once I remember seeing a movie survey where the first question was, "A movie you love with a passion." Well, at the time I was unsure of how I would answer it, thinking I love all my favorite films with a passion - I mean, that's why they're my favorites. But now I think I do understand it, and I'm positive I would answer that question with this film. Why? Because, The Sound of Music was the first movie I ever saw that filled me with absolute cinematic ecstasy. It was the first movie I appreciated on a level that was greater than being "just a movie." And it's the first movie that showed me the real splendor of cinema in all its glory, and how wonderful it is to love and indulge in it.

It is corny? Yes, perhaps, however with a plot like that it's bound to be. But it doesn't matter, because I will always love and appreciate this movie, and always have a spectacular experience viewing it. I could never imagine my life without this movie in it to give me that little burst of confidence to climb every mountain. I simply love this film with a desperate passion. 


Tuesday, August 9, 2011

Movie Books from the Basement

The other day, I went downstairs into our basement library (a room filled with bookshelves of old looking books that my father hasn't read in years - "I'll read it in my old age," he claims). I was actually in search of my calculator (I've affectionately named it Dexter) because I had some disgusting summer math to do. But let's talk about something more pleasant...

My father has his own little collection of film books - though I may be beginning to challenge him in my own extensive collection! Anyhow, besides the hardbound copies of "Hollywood's Best Musicals," and biographies of Montgomery Clift, Humphrey Bogart, etc., that sat on the shelf, crammed away in another corner amongst some of my mom's old Mills & Boones 25 cent romance novels were a few old, yellowing - though not exactly tattered - paperbacks on movies.

Here's what I found:

From left to right:
Singin in the Rain - From the MGM Library of Film Scripts, Trivia Mania: Movies Volume II by Xavier Einstien, Hitchcock's Films by Robin Wood

The first, "Singin in the Rain", is pretty cool - it is the complete script of the movie. 



I really love that movie, so it's going to be fun just to skim through it and look over the lines I love and remember.

Yep - the whole script!

They're also a introduction to the script that discusses the movie and its successes, so that should make an interesting read, as well.

Next, I found the "Movie Trivia" by Xavier Einstien. As you can tell, it's got no cover -


But, the rest of it is in pretty good shape.


"In what movie did Elizabeth Taylor and Eddie Fisher appear together?"
Easy - Butterfield 8!

It's written in the 80's so we avoid any trivia questions about modern films, mostly. (I love the 80's, so I can take it). They vary in difficulty... I knew what Sydney Poitier movie introduced Lulu to the United States ("To Sir, With Love"), but despite the Cary Grant fan I am, I'm puzzled about who discovered him. (Perhaps because I've yet to read his biography...)


It seems like a good little book to test your movie trivia. I'm glad the questions vary throughout decades and difficulty - I may be quite sharp on a 1940's movie question while I'll stumble over the 70's. (I love the 70's, too, but I've yet to see many films from that decade). I guess this book will help sharpen me up on my movie trivia for the next time I play Trivial Pursuit against my dad (Did I mention I LOVE that game??).

And lastly, a critical analysis of Hitch's films in a book entitled "Hitchcock's Films" by Robin Wood.



This looks pretty interesting. It's supposed to be in depth look at, appropriately, Hitchock's films. I have yet to read a book about Hitch's films, but I love him as a director and I love his movies so this out to be a very interesting read.


Books like this aren't around much anymore - movie trivia books are filled with little tidbits about current films, which I really couldn't care less about... it's not often when you'd find a full movie script, and a classic movie at that, and I guess reading "Hitchcock's Films" will give me a good dose of those 80's bio writers that I've heard so much about. 

Also on the topic of books, I'm going to have a huge book haul of new movie books coming my way. In the mail I have biographies of Vivien Leigh and Jean Arthur coming... also, "Goodbye Natalie, Goodbye Splendour", which is written (I think) from the prospective of the skipper who was on the Splendour the night Natalie died. (I've got a shortage of Natalie books so I'm excited for this)... and, "The Lucille Ball FAQ." NOT to mention I just bought Lauren Bacall's autobiography (I've been holding out for this for a while), so I'm going to have tons and tons of reading to do (not to mention some boringly awful summer reading books for school... ew). I've also ordered in two box sets - The Natalie Wood Collection (originally like $50, but I got it for about $30 so I'm happy about that) and the Lucille Ball Collection.

And lastly, through the blog Via Margutta 51 I had found this really funny "Audrey Airlines" clip on Youtube, made by this group called PunchyPlayers. Through that, I found more parodies and impersonations of Old Hollywood stars made by the same people. Here's one of my personal favorites --

My favorites: "Audrey Hepburn" "Hayley Mills" "Vivien Leigh" "Bette Davis" "Julie Andrews"
Though their Lucille Ball is a little off!

Ciao!